Fall Out Boy's ' "We Were Doomed From The Start (The King Is Dead)" was released on its scheduled release date, January 1, 2013. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "PAX AM Days". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, We Were Doomed From The Start (The King Is Dead) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With We Were Doomed From The Start (The King Is Dead) by Fall Out Boy having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Favorite Record | Fall Out Boy | A Major | 8 | 11B | 145 BPM | ||
| Hold On | Good Charlotte | D♭ Major | 9 | 3B | 138 BPM | ||
| Damn The Man, Save The Empire | Pierce The Veil | G Major | 4 | 9B | 102 BPM | ||
| Hey Baby, Don't You Know That We're All Whores | Midtown | E Major | 10 | 12B | 180 BPM | ||
| Bulls in Brooklyn | The Academy Is... | D♭ Minor | 9 | 12A | 130 BPM | ||
| Take What You Can Carry | The Maine | G Major | 8 | 9B | 125 BPM | ||
| Big Casino | Jimmy Eat World | D Major | 10 | 10B | 136 BPM | ||
| Au Revoir (Adios) | The Front Bottoms | A Major | 7 | 11B | 140 BPM | ||
| Let's Get Dead with the Living Dead | Snow White's Poison Bite | F♯ Major | 10 | 2B | 115 BPM | ||
| Keep This Between Us | My Upside Down | B Minor | 10 | 10A | 127 BPM | ||
| Prostitution Is the World's Oldest Profession (And I, Dear Madame, Am a Professional) | Cobra Starship | D♭ Minor | 9 | 12A | 148 BPM | ||
| 19 | Pencey Prep | A Minor | 8 | 8A | 126 BPM | ||
| Nice To Meet You | Forever The Sickest Kids | A Major | 10 | 11B | 186 BPM | ||
| Neighbors | The Academy Is... | C Major | 9 | 8B | 78 BPM | ||
| Whisper to the Clouds | The High Court | D♭ Major | 9 | 3B | 154 BPM | ||
| Staring at Backgrounds | Before Today | D♭ Minor | 9 | 12A | 128 BPM | ||
| Manhattan | Midtown | A Minor | 2 | 8A | 79 BPM | ||
| Girl, You Shoulda Been A Drummer | William Beckett | G Major | 8 | 9B | 102 BPM | ||
| One Day Robots Will Cry | Cobra Starship | E Minor | 9 | 9A | 145 BPM | ||
| Air-Conditioned Love | Ludo | F Major | 9 | 7B | 138 BPM | ||
| Sweet Talk 101 | Cute Is What We Aim For | A Major | 8 | 11B | 164 BPM | ||
| Super Fade | Fall Out Boy | F Minor | 7 | 4A | 159 BPM | ||
| iDIOTS OF Oz | I DONT KNOW HOW BUT THEY FOUND ME | F Major | 9 | 7B | 100 BPM | ||
| The Writhing South | Say Anything | A Major | 9 | 11B | 122 BPM | ||
| Pinkish | Gerard Way | D Major | 10 | 10B | 150 BPM |