"To Prove Them Wrong" by Rebecca Martin had its release date on August 12, 2008. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Growing Season". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, To Prove Them Wrong's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To Prove Them Wrong by Rebecca Martin having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Broken Hotel Room | Liv Monaghan | F Minor | 2 | 4A | 115 BPM | ||
| Go Easy | The John Martyn Project | C Major | 1 | 8B | 134 BPM | ||
| Gaivota | Brussels Jazz Orchestra, Naima Joris | A Minor | 1 | 8A | 89 BPM | ||
| Don't Let The Sun Catch You Crying | Tok Tok Tok | E♭ Major | 1 | 5B | 127 BPM | ||
| Ray of Sun | Anna Gréta | B Major | 2 | 1B | 79 BPM | ||
| Walking On The Moon | Judith Owen | D Minor | 1 | 7A | 117 BPM | ||
| Dindi | Rebecca Martin, Bill McHenry, Steve Cardenas, Kurt Rosenwinkel, Larry Grenadier, Jorge Rossy | F Major | 2 | 7B | 178 BPM | ||
| Little Girl Blue | Sarah McKenzie | C Major | 1 | 8B | 116 BPM | ||
| Widow Song | Nnenna Freelon, Keith Ganz | D Minor | 3 | 7A | 155 BPM | ||
| 梵音準提咒 (輕柔鋼琴爵士) Cundi Dharani in Sanskrit | Zen Brew Cafe 禪釀咖啡館 | F Major | 3 | 7B | 150 BPM | ||
| Don't Mean a Thing at All | Rebecca Martin | A Minor | 1 | 8A | 88 BPM | ||
| Questions | Sarah Elizabeth Charles, Linda May Han Oh | E Minor | 1 | 9A | 109 BPM | ||
| Here, There and Everywhere | Lina Nyberg, Esbjörn Svensson | A Major | 0 | 11B | 136 BPM | ||
| Celebrate | Macha Gharibian | C Major | 4 | 8B | 135 BPM | ||
| Missa in D Minor, AV 18: Gloria | Ernst Theodor Amadeus Hoffmann, Jutta Böhnert, Rebecca Martin, Thomas Cooley, York Felix Speer, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Rupert Huber | D Major | 1 | 10B | 123 BPM | ||
| Bewitched, Bothered, and Bewildered | eavesdropping.show, Christian Sullivan, Cher Alvarez, Lauren Michelle Acoba | A♭ Major | 1 | 4B | 82 BPM | ||
| Conditioned | Isabella Lundgren | A Major | 1 | 11B | 127 BPM | ||
| Norwegian Wood | Lisa Bassenge | C Major | 2 | 8B | 96 BPM | ||
| No Not Much | Veronica Swift | G Major | 0 | 9B | 123 BPM | ||
| On a Sunday Morning | Rebecca Martin, Guillermo Klein | B Minor | 2 | 10A | 93 BPM | ||
| Nobody Knows the Trouble I’ve Seen | Im tae woong | G Major | 4 | 9B | 84 BPM | ||
| Starry Night | Ginne Marker | B♭ Minor | 2 | 3A | 133 BPM | ||
| There Was Nothing | Tina Warhol | E Minor | 3 | 9A | 119 BPM | ||
| I Love Paris | Sachal Vasandani, Taylor Eigsti, Eric Harland, Reuben Rogers | C Major | 1 | 8B | 81 BPM | ||
| Finally You | Rosita Kèss | C Major | 2 | 8B | 93 BPM |