The Sour Notes's ' "It's Just a Cut..." was released on its scheduled release date, January 1, 2009. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. It's Just a Cut...'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Received in Bitterness". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, It's Just a Cut...'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With It's Just a Cut... by The Sour Notes having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hallie And Henry | Say Hi | D Major | 8 | 10B | 140 BPM | ||
| Johnny Boy | Black Casino and the Ghost | A Minor | 8 | 8A | 176 BPM | ||
| Still Falling | The Morning After Girls | G Major | 6 | 9B | 150 BPM | ||
| On Yer Mark | The Sour Notes | B Major | 8 | 1B | 165 BPM | ||
| Mystic Mind | Those Darlins | D Major | 9 | 10B | 167 BPM | ||
| Police Car | The Dig | F Major | 9 | 7B | 98 BPM | ||
| Sick Love | Scanners | A Major | 9 | 11B | 160 BPM | ||
| Rabbit Hole | The Novocaines | F Major | 7 | 7B | 79 BPM | ||
| Cut Them Free | Dusted | E Minor | 5 | 9A | 122 BPM | ||
| Songbird | The Fieros | A Major | 6 | 11B | 118 BPM | ||
| I Don't Want To Be Alone | Eagle Eye Williamson | E Major | 4 | 12B | 138 BPM | ||
| Accident Prone | The Sour Notes | E Major | 4 | 12B | 115 BPM | ||
| Vacations | Dead Confederate | A♭ Major | 7 | 4B | 111 BPM | ||
| Apparitions | The Raveonettes | B♭ Minor | 8 | 3A | 101 BPM | ||
| Boy, Was I Mad! | Kinski | D Major | 6 | 10B | 163 BPM | ||
| Fell Asleep Dreaming | The Years | A Minor | 8 | 8A | 130 BPM | ||
| Working for the Company | Graveyard Lovers | A Major | 6 | 11B | 112 BPM | ||
| Livin' in the Fire | Motopony | E Major | 9 | 12B | 89 BPM | ||
| Five Feet of Road | White Dress | A Major | 8 | 11B | 103 BPM | ||
| I'm Never Gonna Call You | Fall on Your Sword | F Major | 7 | 7B | 128 BPM | ||
| Bleeding Magenta | New Candys | C Major | 9 | 8B | 120 BPM | ||
| Come My Sunshine | The Comas | G Major | 8 | 9B | 140 BPM | ||
| Geographer | Sydney Wayser | F Major | 5 | 7B | 63 BPM | ||
| Pale Light | Dusted | G Minor | 5 | 6A | 172 BPM | ||
| Give Her A Name | Trevor Menear | A♭ Minor | 3 | 1A | 140 BPM |