FIRST ARSCH's 'MODER BLUES' had a release date set for November 1, 1992. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. MODER BLUES's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "SADDLE UP". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. MODER BLUES is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With MODER BLUES by FIRST ARSCH having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bluten | Goethes Erben | B Major | 8 | 1B | 133 BPM | ||
| Paranoia, Paranoia | Bauhaus | A Major | 6 | 11B | 136 BPM | ||
| Lollipop | Till Lindemann | G Major | 9 | 9B | 160 BPM | ||
| The Death Song | Marilyn Manson | D Major | 9 | 10B | 110 BPM | ||
| Mister Superstar | Marilyn Manson | A Major | 10 | 11B | 116 BPM | ||
| Wodka-Polka | Grausame Töchter | A Major | 9 | 11B | 140 BPM | ||
| Friday the 13th | Misfits | A♭ Major | 10 | 4B | 93 BPM | ||
| Cowboy | Lindemann | B♭ Minor | 10 | 3A | 140 BPM | ||
| Tanzlehrerin | Till Lindemann | E Minor | 9 | 9A | 90 BPM | ||
| Schwarz brennt das Licht | Seelenzorn | B Minor | 10 | 10A | 90 BPM | ||
| Maria | Guano Apes, Ronald Prent at Wisselord Studios, Hilversum, Netherland | E Minor | 9 | 9A | 158 BPM | ||
| White Wedding | Murderdolls | A Major | 9 | 11B | 145 BPM | ||
| Teufelswerk | [die!] | A♭ Major | 8 | 4B | 95 BPM | ||
| Die Blutgräfin | Nachtblut | D Minor | 9 | 7A | 126 BPM | ||
| Darwins Jünger | Oswald Henke, Goethes Erben | D♭ Minor | 8 | 12A | 108 BPM | ||
| Jeder mit jedem | [die!] | F♯ Major | 9 | 2B | 125 BPM | ||
| Black Planet | Sisters of Mercy | A Minor | 8 | 8A | 122 BPM | ||
| Sacrifice | London After Midnight | C Minor | 8 | 5A | 132 BPM | ||
| RED BLACK AND BLUE | Marilyn Manson | A Major | 8 | 11B | 129 BPM | ||
| Bite of God | Die Form | G Major | 8 | 9B | 105 BPM | ||
| Scheisskind | Schweisser | F♯ Minor | 10 | 11A | 173 BPM | ||
| Tanzen | Miss Construction | B Minor | 10 | 10A | 139 BPM | ||
| Alltag macht tot | Oberer Totpunkt | C Major | 8 | 8B | 120 BPM | ||
| Aalmutter | Bethlehem | C Major | 8 | 8B | 120 BPM | ||
| Dead in Hollywood | Murderdolls | E Minor | 10 | 9A | 164 BPM |