Dale Watson's ' "Carryin' on This Way" was released on its scheduled release date, February 18, 2014. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 13 in Carryin' On by Dale Watson. In terms of popularity, Carryin' on This Way is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Carryin' on This Way by Dale Watson is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Close All the Honky Tonks | Charlie Walker | A Major | 6 | 11B | 158 BPM | ||
| High Class City Girl from the Country | Zephaniah OHora | D♭ Major | 5 | 3B | 103 BPM | ||
| Knee Deep in the Blues | Melvin Endsly, The Derailers | A♭ Major | 9 | 4B | 155 BPM | ||
| Sometimes | Luke Bell | G Major | 8 | 9B | 129 BPM | ||
| Here Comes The Heartache | Jason James | D Major | 7 | 10B | 132 BPM | ||
| What Made Milwaukee Famous | Johnny Bush | A Major | 7 | 11B | 111 BPM | ||
| South Of Lonesome | Hacienda Brothers | A Major | 7 | 11B | 146 BPM | ||
| In My Cups | Western Centuries | F Major | 7 | 7B | 160 BPM | ||
| Way Down in My Soul | Zephaniah OHora | B Major | 5 | 1B | 130 BPM | ||
| The Only Thing She Left Me Was the Blues | Eleven Hundred Springs | E Major | 7 | 12B | 140 BPM | ||
| Back When | Melissa Carper | C Major | 3 | 8B | 123 BPM | ||
| Silverlake | Steve Young | F♯ Major | 5 | 2B | 84 BPM | ||
| Stay a Little Longer | Bob Wills & His Texas Playboys | G Major | 4 | 9B | 116 BPM | ||
| Get a Little Gonner | Bill Kirchen | G Major | 8 | 9B | 110 BPM | ||
| Hank Williams Wouldn't Make It Now in Nashville Tennessee | Eleven Hundred Springs | D Major | 6 | 10B | 91 BPM | ||
| What A Way To Live | Johnny Bush | D Major | 4 | 10B | 77 BPM | ||
| Undo The Right - Original Stop Recordings | Johnny Bush | G Major | 3 | 9B | 136 BPM | ||
| Just One More Time (Bonus Track) | The Derailers | A Major | 8 | 11B | 110 BPM | ||
| This Highway | Zephaniah OHora | E Major | 3 | 12B | 95 BPM | ||
| The Lights Of San Francisco | Logan Ledger | B♭ Major | 5 | 6B | 94 BPM | ||
| Too Many Nights In A Roadhouse | Junior Brown | C Major | 5 | 8B | 86 BPM | ||
| Austin Night | Bastard Sons of Johnny Cash | E Major | 7 | 12B | 140 BPM | ||
| Drink Till I See Double | Ray Wylie Hubbard, Paula Nelson, Elizabeth Cook | G Major | 6 | 9B | 116 BPM | ||
| Railroad Man | Malpass Brothers | E Major | 8 | 12B | 102 BPM | ||
| On a Slow Train Through Arkansas | Chuck Mead | A Major | 7 | 11B | 120 BPM |