On May 25, 2023, the song "Nand Lala Hai Gopala" was released by Deepa Didi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Kaise Karoon Shukriya" album is number 19 out of 23. On top of that, India appears to be the country where this track was created. Nand Lala Hai Gopala is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Nand Lala Hai Gopala by Deepa Didi to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maiya Sun Maiya | Ram Kumar Lakkha | D♭ Major | 9 | 3B | 146 BPM | ||
| Honthon Par Mohabbat Ke Tarane Nahi Aate | Naim Sabri | E♭ Major | 9 | 5B | 95 BPM | ||
| Naman Karo Baba Mohan Ram Ko | Gyanender Sardhana | D♭ Minor | 10 | 12A | 136 BPM | ||
| Bewafa Dulhan | Parmod Kumar Ajmeriya | B♭ Minor | 8 | 3A | 116 BPM | ||
| Chundadi | Surbhi Chaturvedi | D♭ Minor | 6 | 12A | 114 BPM | ||
| Raat Anderi Galo Bhulgi | Shyam Paliwal | F Minor | 9 | 4A | 125 BPM | ||
| Baba Dere Waleya | Sadhvi Purnima Ji, Shahib Shabi | D♭ Major | 7 | 3B | 90 BPM | ||
| Ae Meri Dil Lagi | Guddi Gilahari | C Major | 7 | 8B | 163 BPM | ||
| Tumso Sunder Shyam Na Koi | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Me To Hwa Hu | Dilip Gawaiya | A♭ Major | 6 | 4B | 113 BPM | ||
| Bajra Hum Na khaibe More Raja Bundeli | Malti Singh Parmar, Deshraj Patairiya | F Minor | 6 | 4A | 149 BPM | ||
| Rag Rag Me Sama Jao | Udit Narayan | B Major | 7 | 1B | 106 BPM | ||
| Chhoti Si Kutiya Meri | Ram Kumar Lakkha | B Major | 7 | 1B | 106 BPM | ||
| Meera Ko Manado Moyo Re | Moinuddin Manchala, Prakash Mali | E Major | 10 | 12B | 111 BPM | ||
| 05 Haar Houniya Padli | prakash wankhade | B♭ Major | 9 | 6B | 94 BPM | ||
| Halke Se Mara Ke Bade Se Mara Bundeli Geet | JaiSingh Raja | B Minor | 8 | 10A | 78 BPM | ||
| Jagannath Chaka Nain | Rajesh Chandra | B Major | 7 | 1B | 106 BPM | ||
| Kichdi Rai Ho Gaye Tamatar Laal | Jittu Khare, Laxmi Thakur | F♯ Major | 8 | 2B | 127 BPM | ||
| Badhai Ho Badhai | Deepa Didi | E♭ Major | 9 | 5B | 120 BPM | ||
| Manne Ho Gaya Tere Se Pyar | Tarun Baliyan | G Major | 9 | 9B | 80 BPM | ||
| Bewafa Pyar Mein Na Daga De Mujhe | Arshad Kamli | G Major | 8 | 9B | 106 BPM | ||
| Jai Bhramani Maat Ri | Shyam Paliwal | F Minor | 9 | 4A | 95 BPM | ||
| Humare Hai Shree Gurudev | Deepa Didi | E♭ Major | 9 | 5B | 120 BPM | ||
| Ab Kaise Hove Jag Me Jivno | Sant Bhajana Nand | A♭ Major | 9 | 4B | 87 BPM | ||
| Aakhiri Waqt Aakhiri Saans Hai | Guddi Gilahari | D Major | 4 | 10B | 132 BPM |