Broadway Calls's ' "Back to Oregon" was released on its scheduled release date, July 10, 2007. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 14 in Broadway Calls by Broadway Calls. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Back to Oregon's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Back to Oregon by Broadway Calls is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Be There | Broadway Calls | G Major | 9 | 9B | 102 BPM | ||
| Give It Up | Home Grown | A♭ Major | 9 | 4B | 176 BPM | ||
| Walk Away | Major League | A Major | 8 | 11B | 110 BPM | ||
| 50th And Western | Red City Radio | D Major | 10 | 10B | 137 BPM | ||
| Alex In Wonderland | This Time Next Year | A♭ Major | 10 | 4B | 192 BPM | ||
| Hasselhoff Cheeseburger | The Falcon | D♭ Minor | 9 | 12A | 105 BPM | ||
| Heavy Eyes | The Carolyn | A♭ Major | 9 | 4B | 165 BPM | ||
| An Ode To Jon Contra, Part 2 | Latterman | E Major | 10 | 12B | 100 BPM | ||
| Self Portrait | Handguns | A♭ Major | 9 | 4B | 82 BPM | ||
| A Bottle Of Charades | Living With Lions | F♯ Major | 9 | 2B | 95 BPM | ||
| Are We Really Happy With Who We Are Right Now? | Moneen | E Major | 6 | 12B | 176 BPM | ||
| Single White Female | The Movielife | E Major | 9 | 12B | 100 BPM | ||
| Bridges | Misser | F♯ Major | 9 | 2B | 101 BPM | ||
| Worn Out Passport | The Copyrights | B Major | 9 | 1B | 92 BPM | ||
| I Grew up in a Legion Hall | Fireworks | D♭ Major | 9 | 3B | 176 BPM | ||
| Young New England | Transit | A♭ Major | 6 | 4B | 100 BPM | ||
| St. Andrews Hall | Nothington | B Major | 10 | 1B | 102 BPM | ||
| Three Weeks | Broadway Calls | B Major | 10 | 1B | 182 BPM | ||
| Coming After You | Broadway Calls | A Major | 9 | 11B | 130 BPM | ||
| 10 Years | Kid Liberty | C Major | 10 | 8B | 180 BPM | ||
| Elevator Music | I Call Fives | A♭ Major | 9 | 4B | 123 BPM | ||
| Sing it Again Rookie Biatch | Daggermouth | A♭ Major | 10 | 4B | 109 BPM | ||
| Farewell to Iron Bastards | Banner Pilot | E Major | 10 | 12B | 91 BPM | ||
| Nothing Can Kill The Grimace | Mixtapes | B Major | 9 | 1B | 125 BPM | ||
| Passing Days | Elway | A Major | 8 | 11B | 189 BPM |