- BPM
- 96
- Key
- A♭ Minor
- Camelot
- 1A
Rigoletto, Act II: My father! (Gilda, Rigoletto) by Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Helen Field Song Details
"Rigoletto, Act II: My father! (Gilda, Rigoletto)" by Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Helen Field had its release date on January 1, 2000. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Helen Field, Arthur Davies, John Tomlinson, Jean Rigby, Norman Bailey. The song's track number on the album is #7 out of 38 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Rigoletto, Act II: My father! (Gilda, Rigoletto) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Rigoletto, Act II: My father! (Gilda, Rigoletto) by Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Helen Field has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto, Act II: My father! (Gilda, Rigoletto) being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
Music Key
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -17.202 dB
- Acousticness
- 96%
- Danceability
- 37%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 71%
- Speechiness
- 11%
- Valence
- 17%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mozart: Così fan tutte, K. 588, Act 1: Terzettino. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Karl Böhm, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E Major | 1 | 12B | 124 BPM | |
 | Turandot, Act III: Nessun dorma! | Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 3 | 10B | 84 BPM | |
 | Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 1 | 5B | 85 BPM | |
 | Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | |
 | Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | |
 | Gounod: Roméo et Juliette: Ouverture | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | |
 | Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | |
 | The Magic Flute, K. 620, Act II: Aria. Der Hölle Rache kocht in meinem Herzen | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | F Major | 1 | 7B | 147 BPM | |
 | Nessun dorma! from Turandot | Plácido Domingo | D Major | 4 | 10B | 80 BPM | |
 | Bellini: Norma, Act 1: "Casta diva" (Norma, Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | |
 | Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | |
 | Verdi: Messa da Requiem: II. Dies irae | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Minor | 2 | 5A | 81 BPM | |
 | Non ti scordar di me (Arr. for Soprano, Tenor and Orchestra by Giancarlo Chiaramello) | Ernesto de Curtis, Anna Netrebko, Yusif Eyvazov, Royal Philharmonic Orchestra, Jader Bignamini | A Major | 2 | 11B | 81 BPM | |
 | Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | |
 | Messa da Requiem: 2c. Liber scriptus | Giuseppe Verdi, Olga Borodina, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 76 BPM | |
 | Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | |
 | Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | |
 | Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | |
 | Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | |
| Verdi: Messa da Requiem: III. Tuba mirum | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | |
 | Carmen (1997 - Remaster), Act I: Sur la place | Georges Bizet, Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 105 BPM | |
 | Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | |
 | Requiem, K. 626: IIIa. Dies irae | Wolfgang Amadeus Mozart, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 6 | 6B | 152 BPM | |
 | Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Jacques Pruvost, Robert Geay, George London, Michel Sénéchal, Jean Christophe Benoit, Jean-Pierre Laffage, Nicola Ghiuselev, André Malla | D Major | 1 | 10B | 90 BPM |
- ISRC
- GBLWD0001107
- Label
- L-M Records/RCA Records