On July 7, 1960, the song "Come Prima" was released by Al Caiola. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Come Prima's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Al Caiola's "Italian Guitars" album is number 6 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, Come Prima is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Come Prima by Al Caiola to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Siempre en Mi Corazón | Cuerdas y Metales | C Minor | 3 | 5A | 118 BPM | ||
| Amore Grande Amore Libero | Orquesta Romanticos de La Habana | F Major | 2 | 7B | 123 BPM | ||
| Antes De La Lluvía | Edda Batista | D♭ Major | 4 | 3B | 107 BPM | ||
| Emmanuelle | The Hollywood Mood Orchestra | C Minor | 3 | 5A | 121 BPM | ||
| C'est magnifique | Jean Paques | G Major | 3 | 9B | 90 BPM | ||
| La Bamba y Otras - Remasterizado | Juan José Espinosa, Traditional, Luis Cobos, Royal Philharmonic Orchestra | C Major | 5 | 8B | 131 BPM | ||
| Again | Kurt Edelhagen | G Major | 6 | 9B | 126 BPM | ||
| Airport Love Theme | Vincent Bell | G Major | 7 | 9B | 78 BPM | ||
| Bésame Mucho | Giovanni Vivanco | E♭ Major | 4 | 5B | 118 BPM | ||
| Sleepy Shores | Johnny Pearson | E Major | 2 | 12B | 154 BPM | ||
| I Just Called To Say I Love You | Caravelli | D♭ Major | 5 | 3B | 113 BPM | ||
| L'Incontro - 1M1 | Giovanni Marchetti | E Minor | 5 | 9A | 95 BPM | ||
| Runaway | Lawrence Welk and His Orchestra | B♭ Major | 6 | 6B | 72 BPM | ||
| Never ending song of love - You are my sunshine - Schönes Mädchen aus Arcadia | Claudius Alzner, Seine Solisten | C Major | 5 | 8B | 100 BPM | ||
| El Último Rodeo | Cliff Mendoza | A♭ Major | 6 | 4B | 175 BPM | ||
| Roulette | Russ Conway | D Major | 7 | 10B | 90 BPM | ||
| I Could Have Danced All Night | Jean Paques | E♭ Major | 2 | 5B | 74 BPM | ||
| Je T'Aime... Moi Non Plus | Paul Mauriat | D Major | 5 | 10B | 84 BPM | ||
| Tico-Tico | Ray Conniff | A Major | 6 | 11B | 100 BPM | ||
| Mi Tío / El Piano del Pobre | George kroy | G Major | 6 | 9B | 100 BPM | ||
| Hora Staccato | Lerner Süller | C Minor | 2 | 5A | 70 BPM | ||
| Mira Como Me Balanceo | Gustavo Pimentel | F Major | 7 | 7B | 146 BPM | ||
| Forever and Ever | Botticelli | G Major | 3 | 9B | 102 BPM | ||
| A Lover's Concerto | Horst Jankowski | C Minor | 5 | 5A | 125 BPM | ||
| The Song from "Moulin Rose" | The Percy Faith Strings | G Major | 3 | 9B | 66 BPM |