"ANYONE CAN DIG A HOLE BUT IT TAKES A REAL MAN TO CALL IT HOME - LIVE RECORDING FROM THE OBSERVATORY, TAMPA, FL, 2020" by Underoath had its release date on November 6, 2020. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Underoath's "LOST IN THE SOUND OF SEPARATION LIVE RECORDING" album is number 2 out of 11. On top of that, United Kingdom appears to be the country where this track was created. ANYONE CAN DIG A HOLE BUT IT TAKES A REAL MAN TO CALL IT HOME - LIVE RECORDING FROM THE OBSERVATORY, TAMPA, FL, 2020 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of ANYONE CAN DIG A HOLE BUT IT TAKES A REAL MAN TO CALL IT HOME - LIVE RECORDING FROM THE OBSERVATORY, TAMPA, FL, 2020 by Underoath to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Until the Day I Die | Story Of The Year | D Major | 9 | 10B | 183 BPM | ||
| Sic Transit Gloria ... Glory Fades | Brand New | A♭ Major | 7 | 4B | 93 BPM | ||
| Kickin' Wing, Animal Doctor | Attack Attack! | D Major | 9 | 10B | 159 BPM | ||
| Car Underwater | Armor For Sleep | D Major | 8 | 10B | 147 BPM | ||
| A Message For Adrienne | Underoath | D Major | 9 | 10B | 85 BPM | ||
| Hey John, What's Your Name Again? | The Devil Wears Prada | G Major | 10 | 9B | 92 BPM | ||
| Bleeding Mascara | Atreyu | D♭ Major | 10 | 3B | 99 BPM | ||
| Stay On The Ground | Armor For Sleep | A Minor | 9 | 8A | 161 BPM | ||
| Fractions | Emery | D♭ Major | 8 | 3B | 154 BPM | ||
| Lip Gloss And Black | Atreyu | A♭ Major | 8 | 4B | 148 BPM | ||
| So Cold I Could See My Breath | Emery | B♭ Minor | 9 | 3A | 90 BPM | ||
| Perfection Through Silence | Finch | D♭ Major | 9 | 3B | 117 BPM | ||
| Meeting Again for the First Time | Poison The Well | C Major | 8 | 8B | 138 BPM | ||
| We Ate The Horse | Vanna | E Major | 10 | 12B | 116 BPM | ||
| Featuring Some of Your Favorite Words | From First To Last | A♭ Major | 9 | 4B | 94 BPM | ||
| The Road To Hell Is Paved With Good Intentions (feat. Craig Owens of Chiodos) | In Fear And Faith, Craig Owens | D Major | 9 | 10B | 159 BPM | ||
| My Eyes Burn | Matchbook Romance | E♭ Minor | 10 | 2A | 180 BPM | ||
| I'm the Best at Ruining My Life | From Autumn To Ashes | D Major | 9 | 10B | 153 BPM | ||
| A Box Full of Sharp Objects | The Used | D♭ Minor | 10 | 12A | 120 BPM | ||
| It Sounded Like An Accident | Drop Dead, Gorgeous | C Minor | 10 | 5A | 102 BPM | ||
| Reese's Pieces, I Don't Know Who John Cleese Is? | I Set My Friends On Fire | C Minor | 10 | 5A | 140 BPM | ||
| Pink Roses | Glassjaw | D♭ Major | 10 | 3B | 154 BPM | ||
| Things Too Visible To See | Of Machines | D Minor | 9 | 7A | 170 BPM | ||
| Taste The Red Hands | Dead Poetic | D Minor | 10 | 7A | 94 BPM | ||
| The Party Song | Emery | F Minor | 9 | 4A | 178 BPM |