Shafa Ullah Khan Rokhri's ' "Wasay Tedi Mianwali" was released on its scheduled release date, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Channa Ve Teda Chan by Shafa Ullah Khan Rokhri. Going off of the ISRC code of this track, we detected that the origin of this track is from Pakistan. In terms of popularity, Wasay Tedi Mianwali is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Wasay Tedi Mianwali by Shafa Ullah Khan Rokhri is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Karay Koi Gall Wafava Di | Akram Faridi | F♯ Minor | 8 | 11A | 88 BPM | ||
| Sangee | Shafa Ullah Khan Rokhri | C Minor | 8 | 5A | 104 BPM | ||
| Sardariyan Mukhtariyan | Shahbaz Qamar Fareedi | F Minor | 9 | 4A | 90 BPM | ||
| Pardasi | Tahir Nayyar | D♭ Minor | 9 | 12A | 95 BPM | ||
| Wy Tariya | Shafaullah Khan Rokhri | A Minor | 7 | 8A | 112 BPM | ||
| Mela | Akram Rahi | F Minor | 8 | 4A | 75 BPM | ||
| Ravidas Guru | Ginni Mahi | D♭ Major | 9 | 3B | 145 BPM | ||
| Lutaya Ghar Khushi Sy | Tasleem Arif Qawwal | F♯ Major | 5 | 2B | 80 BPM | ||
| Tera Chehra | Sufi Rehan | E♭ Minor | 5 | 2A | 79 BPM | ||
| Dhola | Shafa Ullah Khan Rokhri | C Major | 6 | 8B | 170 BPM | ||
| Aj Kala Jora Pa - Remix | Billy Knight, Shafa Ullah Khan Rokhri | B Major | 9 | 1B | 144 BPM | ||
| Gal Sun Ve Sajan Diyaan | Azra Jehan | E Minor | 9 | 9A | 116 BPM | ||
| Hathan Diyan Kadiyan | Peter Hans | A Major | 7 | 11B | 144 BPM | ||
| Wafa Bhi Kar Zulm Bhi Kar | Mumtaz Molai | D♭ Minor | 9 | 12A | 125 BPM | ||
| Teda Ni Shahar Ras Aya | Ahmad Nawaz Cheena | F♯ Minor | 8 | 11A | 96 BPM | ||
| Shukar Kara Tera Malka | Harsh Sikander, Fateh Singh | E♭ Minor | 8 | 2A | 156 BPM | ||
| Jaam Vi Paye Hin | Ahmad Nawaz Cheena | B♭ Minor | 8 | 3A | 83 BPM | ||
| Do Busan Vay Rawat Diyan | Shafa Ullah Khan Rokhri | E Minor | 8 | 9A | 92 BPM | ||
| Hun Tu Maaf Karin | Hakam Bakhtarwala, Daljeet Kaur | F♯ Major | 9 | 2B | 87 BPM | ||
| Tu Malik Khusian Di | Raja Sidhu, Rajwinder Kaur | D♭ Major | 9 | 3B | 172 BPM | ||
| Injh Ta Nai Yaar Kraindy | Qamar Shahpuria | E♭ Major | 9 | 5B | 136 BPM | ||
| Ghar | Atta Ullah Khan Esakhelvi | E♭ Minor | 7 | 2A | 80 BPM | ||
| Kahani | Sheera Jasvir | B Minor | 8 | 10A | 80 BPM | ||
| Gorakh Dhanda | Baba Gulab Singh | A Major | 10 | 11B | 138 BPM | ||
| Ali Howe Peer | Tahseen Sakina | F Minor | 9 | 4A | 152 BPM |