Rajbala Bahadurgadh's ' "Saham Karo So Fikar Piya Ji" was released on its scheduled release date, April 16, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajbala Bahadurgadh's "Hits Ragni Of Rajbala Bahudurgath, Vol. 1" album is number 7 out of 10. Based on our statistics, Saham Karo So Fikar Piya Ji's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Saham Karo So Fikar Piya Ji by Rajbala Bahadurgadh to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dulha Vama Kaniya | Poonam Mishra | A Major | 9 | 11B | 95 BPM | ||
| নিতাই এনেছে হরিনাম | Rakhi Dasi Baul | D Minor | 6 | 7A | 116 BPM | ||
| Ek Pardesi Mera Dil Le Gaya | Sadhana Sargam, Vipin Sachdeva | D♭ Major | 7 | 3B | 112 BPM | ||
| Baila Aa Baghawa Mein | Bharat Sharma Vyas | C Major | 9 | 8B | 140 BPM | ||
| Khela Shesh Tor Korene Mon | Gostho Gopal Das | F♯ Major | 7 | 2B | 91 BPM | ||
| Bhola Ho Bum Bhola - Bhojpuri | Sharda Sinha | D♭ Major | 6 | 3B | 172 BPM | ||
| Hazar Baaten Kahe Zamana | Maratab Ali | F Minor | 2 | 4A | 145 BPM | ||
| Marudhar Mein Jyot Jaga Gyo | Prakash Mali | A♭ Major | 9 | 4B | 124 BPM | ||
| Banke Joganiya Kanha Ki Vrindavan Jaungi | Devki Nandan Thakur Ji Maharaj | B Minor | 6 | 10A | 76 BPM | ||
| Chhori Dilli Shahar Ki | Gurmukh Musafir, Rashmi Arora | A♭ Major | 8 | 4B | 136 BPM | ||
| Jiye Bhala Pauthibare | Umakant Barik, Bali | G Minor | 8 | 6A | 142 BPM | ||
| Ruat Aai Bole Mira Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Aulad Bhula Deti Hai | Shaqeel Ashfaq | F♯ Minor | 10 | 11A | 114 BPM | ||
| Bolbona Go Ar Kono Din - 17 | Baul Sukumar | B♭ Minor | 6 | 3A | 90 BPM | ||
| Jagdamba Ahi Avlamab Humar | Kunj Bihari Mishr | B♭ Major | 7 | 6B | 84 BPM | ||
| Kanifnathala Vandan Karu | Chhagan Chougule | E♭ Minor | 7 | 2A | 103 BPM | ||
| Ankho Ka Kajal || Old Sambalpuri | Old Sambalpuri | F♯ Major | 9 | 2B | 81 BPM | ||
| Dhin Dhin Bhag Lohat Ghar Aaya - Jambheshwar Bhajan | Swami Ramacharya Maharaj | C Major | 9 | 8B | 113 BPM | ||
| Balumama Rakhi Mendhar | Balasaheb Bhagat, Jagdish Gorse, Vithal Shinde, Rahul Shinde, Santosh Nayak, Makrand Sardeshmukh | F♯ Minor | 5 | 11A | 125 BPM | ||
| TERI MAND MAND MUSAKANIYA | Mahesh Hiremath | A♭ Major | 5 | 4B | 129 BPM | ||
| 201 Dharmatalla | Nachiketa Chakraborty | A Major | 7 | 11B | 93 BPM | ||
| Adma Ga Purala Pahu Balu Ga Mamala | Vijay Sartape | F♯ Major | 7 | 2B | 202 BPM | ||
| Sab Ka Malikh Ek | Rajbala Bahadurgadh, Nardev Baniwal, Anuradha Sharma, Puja Sharma Komal Jakhad, Anjali Thakran, Deepa Chaudhary | A♭ Minor | 7 | 1A | 171 BPM | ||
| Jai Jai Vigneshwara | Naarsingi Narsing Rao | E Minor | 7 | 9A | 98 BPM | ||
| Chet Re Nar Chet | Bhawani Sk | G Major | 6 | 9B | 152 BPM |