Henry Mancini's ' "Champagne And Quail" was released on its scheduled release date, 1963. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Champagne And Quail's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Pink Panther - Original Soundtrack". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Champagne And Quail is currently average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Champagne And Quail by Henry Mancini having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Ues | Jay Israelson | G Major | 2 | 9B | 90 BPM | ||
| Reverie | Marty Gold & His Orchestra | C Major | 4 | 8B | 115 BPM | ||
| Mr. Lucky (Goes Latin) | Henry Mancini | D Minor | 5 | 7A | 123 BPM | ||
| Kilimangiaro | Alberto Baldan Bembo | C Minor | 1 | 5A | 140 BPM | ||
| Mead Lake (2ª versione) | Arawak, Black | F Minor | 0 | 4A | 63 BPM | ||
| Uccidere in silenzio 3 | Nora Orlandi, Stelvio Cipriani | G Major | 1 | 9B | 125 BPM | ||
| Dramma della gelosia - Titoli | Armando Trovajoli, I Cantori Moderni Di Alessandroni | F♯ Major | 5 | 2B | 97 BPM | ||
| Gungala nido | Luigi Malatesta, Franco Bixio, Sandro Brugnolini | A♭ Major | 5 | 4B | 90 BPM | ||
| Thème d'amour - Bande originale du film "À bout de souffle" | Martial Solal | D Minor | 3 | 7A | 109 BPM | ||
| We Were Like That | Franz Gordon | B♭ Minor | 2 | 3A | 124 BPM | ||
| Wide World - Remastered | Edmund Vera, The Edmund Vera Orchestra | C Major | 5 | 8B | 79 BPM | ||
| Charade | Si Zentner | A Minor | 5 | 8A | 157 BPM | ||
| The Village Inn - From the Mirisch-G & E Production "The Pink Panther" | Henry Mancini | C Minor | 3 | 5A | 111 BPM | ||
| Natascha - Main Theme | Peter Thomas Sound Orchester | C Major | 3 | 8B | 95 BPM | ||
| Candlelight on Crystal | Henry Mancini | C Major | 1 | 8B | 102 BPM | ||
| Flor Do Brazil | Jean Bonal | B♭ Minor | 3 | 3A | 90 BPM | ||
| Main Title (from "Taxi Driver") | Bernard Herrmann | C Major | 2 | 8B | 80 BPM | ||
| Autumn in New York | Percy Faith | F Major | 3 | 7B | 80 BPM | ||
| Sarah | Jude Leighton | D Minor | 1 | 7A | 140 BPM | ||
| Non illuderti | Lelio Luttazzi | G Minor | 3 | 6A | 188 BPM | ||
| Mary's Theme - Mixed | Stelvio Cipriani | A Minor | 5 | 8A | 109 BPM | ||
| Nothing to Lose - Instrumental | Henry Mancini | F Major | 2 | 7B | 106 BPM | ||
| Una Donna Pericolosa | Little Island Leap | E Minor | 3 | 9A | 120 BPM | ||
| Lovable | Sandro Brugnolini | C Major | 3 | 8B | 145 BPM | ||
| Sophisticated July | Sandro Brugnolini, Luigi Malatesta, Franco Bixio | G Major | 2 | 9B | 81 BPM |