"Why Am I Here" by Patrick Cassidy had its release date on January 1, 2013. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 22 in Calvary (Original Motion Picture Soundtrack) by Patrick Cassidy. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Why Am I Here is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Why Am I Here by Patrick Cassidy is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Angels Praising Almighty God | Rick Oli | F♯ Major | 2 | 2B | 135 BPM | ||
| Sambbak | Dinbin Mau | F♯ Major | 2 | 2B | 85 BPM | ||
| "Come in!": 2nd mvt. | Vladimir Martynov, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | A Major | 2 | 11B | 141 BPM | ||
| Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
| Horas De Batallitas | Las Guerreras | F♯ Minor | 2 | 11A | 80 BPM | ||
| Easter Monday | Patrick Cassidy | D Major | 2 | 10B | 74 BPM | ||
| Agnus Dei (based on ADAGIO for Strings) | John Barry, Samuel Barber | B♭ Minor | 0 | 3A | 71 BPM | ||
| Two of a Kind | Celtroya | B♭ Major | 3 | 6B | 137 BPM | ||
| Materna Requiem: 6. Paradisum Interlude | Rebecca Dale, Royal Liverpool Philharmonic Orchestra, Clark Rundell | D♭ Major | 0 | 3B | 137 BPM | ||
| Passion / Sleep | Luke Howard, Budapest Art Orchestra | D♭ Major | 1 | 3B | 63 BPM | ||
| Ná Bris Andiu Mo Cheride (Do Not Break This Day, My Heart) | Patrick Cassidy | A Major | 1 | 11B | 72 BPM | ||
| Voices of Gold | Fred Westra | C Major | 0 | 8B | 73 BPM | ||
| Confianza Digna | Las Guerreras | A Major | 1 | 11B | 60 BPM | ||
| Bloch: Prayer (From Jewish Life) | Ernest Bloch, Poyraz Baltacıgil | F Minor | 1 | 4A | 134 BPM | ||
| He Will Live | Guy Farley | F Minor | 1 | 4A | 120 BPM | ||
| The River | World Of Woe | F♯ Major | 1 | 2B | 96 BPM | ||
| Lake Isle of Innisfree | Bill Douglas | C Major | 1 | 8B | 77 BPM | ||
| Verses | Ólafur Arnalds, Alice Sara Ott | D♭ Minor | 2 | 12A | 142 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Leonard Bernstein, New York Philharmonic | B♭ Minor | 1 | 3A | 88 BPM | ||
| Requiem: I. Introit | Karl Jenkins, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Catrin Finch, Tim Thorne, Gary Kettel, Timothy Rhys-Evans | A Minor | 2 | 8A | 139 BPM | ||
| Rest Easy | Paul Mottram | C Major | 2 | 8B | 76 BPM | ||
| World Trade Center Choral Piece | Craig Armstrong, Susie Stevens Logan, Pete Anthony, The Hollywood Studio Symphony | D Major | 0 | 10B | 72 BPM | ||
| O Virtus Sapientie Alio Modo | Stevie Wishart, Sinfonye | D Minor | 3 | 7A | 124 BPM | ||
| With This Love (Choir) | Peter Gabriel | G Minor | 1 | 6A | 66 BPM | ||
| Pater noster | Pēteris Vasks, Latvian Radio Choir, Sinfonietta Riga, Sigvards Kļava | C Major | 0 | 8B | 68 BPM |