"Coming Home" by Grady Nichols had its release date on April 30, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 12 in Destinations by Grady Nichols. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Coming Home's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Coming Home by Grady Nichols is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When Towers Swing | Sebastian Greyson | B♭ Minor | 8 | 3A | 81 BPM | ||
| Backroom Reverie | Julian Lowlight | B♭ Minor | 8 | 3A | 81 BPM | ||
| Jamaica's Station (in) - Stoopify Mix | Jamaica's Groove Band, José Côrte-Real | E Minor | 8 | 9A | 110 BPM | ||
| Painted Midnight Jazz | Rowan Blackstone | B♭ Minor | 8 | 3A | 81 BPM | ||
| A New Day | Patrick Yandall | C Major | 7 | 8B | 98 BPM | ||
| It Was Always You | OxúnNoir | D♭ Major | 5 | 3B | 126 BPM | ||
| Bright Days, Soulful Nights | JAZZED MOOD | E Minor | 7 | 9A | 80 BPM | ||
| Melody Chapter45 | Sax Street Jazz | B♭ Minor | 8 | 3A | 81 BPM | ||
| Downtown Breeze | Rae Cole | B♭ Minor | 8 | 3A | 81 BPM | ||
| Charmed Life | Gabriel Mark Hasselbach, Bob Baldwin | C Major | 8 | 8B | 90 BPM | ||
| Room Corners | Olver Brown | B♭ Minor | 8 | 3A | 81 BPM | ||
| Echo Rosa | Le Club Pastello | G Major | 6 | 9B | 99 BPM | ||
| Last Seat Eastbound | Flow Tone | E Minor | 6 | 9A | 96 BPM | ||
| Get Your Django On | Craig Sharmat | A♭ Major | 7 | 4B | 174 BPM | ||
| Road to Monterey | Threestyle | A Minor | 6 | 8A | 96 BPM | ||
| London Child | Pete Dingon, NuXeS | B♭ Minor | 8 | 3A | 81 BPM | ||
| Timber Resonator | Aftertone Quartet | B♭ Minor | 8 | 3A | 81 BPM | ||
| Wanna Get Closer | The Sax Pack | C Major | 7 | 8B | 109 BPM | ||
| Seafloor Geometry | Shoreline Collective | B♭ Minor | 8 | 3A | 81 BPM | ||
| Floating Verandas | Palmshade Ensemble | B♭ Minor | 8 | 3A | 81 BPM | ||
| Suspensión Emocional | Aurelia Wave | B♭ Minor | 8 | 3A | 81 BPM | ||
| Natural Flow | Central Paradise | F Major | 7 | 7B | 100 BPM | ||
| Harmony within | Carlos Camilo | B♭ Minor | 8 | 3A | 81 BPM | ||
| Homosexualities | Marcelino Newborn | F Minor | 4 | 4A | 147 BPM | ||
| Canvas of Strangers | Oddframe | B♭ Minor | 8 | 3A | 81 BPM |