"Variations in B-Flat Minor, Op. 3: Var. 5, Lento dolce" by Karol Szymanowski, Matthias Roth had its release date on September 7, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 28 in the song's album "Szymanowski & Ravel: Piano Works". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, Variations in B-Flat Minor, Op. 3: Var. 5, Lento dolce's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations in B-Flat Minor, Op. 3: Var. 5, Lento dolce by Karol Szymanowski, Matthias Roth having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Nocturne No. 2 in B Major, Op. 33/2 | Gabriel Fauré, Eric Le Sage | E Minor | 1 | 9A | 127 BPM | ||
| Piano Sonata No. 1 in D Minor, Op. 28: II. Lento | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Minor | 1 | 3A | 96 BPM | ||
| 6 Romances sans paroles, Op.76: 6. Meditation | Cécile Chaminade, Daria van den Bercken | A♭ Major | 0 | 4B | 128 BPM | ||
| Violin Concerto No.1, Op.35: Cadenza (allegro moderato) | Karol Szymanowski, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | G Minor | 1 | 6A | 86 BPM | ||
| Piano Concerto No. 3 in C Minor, Op. 32: IV. Lento. Maestoso. Solenne | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janáček Philharmonic Orchestra | C Major | 1 | 8B | 77 BPM | ||
| Fünf Skizzen, Op. 114: III. Der Teich | Jean Sibelius, Leif Ove Andsnes | C Major | 1 | 8B | 70 BPM | ||
| 4 Preludes for Piano, Op. 61: No. 1, Pensieroso | Ignaz Friedman, Joseph Banowetz | B Major | 0 | 1B | 73 BPM | ||
| Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | ||
| Mythes, Trois Poèmes, Op. 30: 2. Narcisse | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | A Minor | 0 | 8A | 75 BPM | ||
| Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
| Hommage à Haydn, L.115 | Claude Debussy, Gordon Fergus-Thompson | G Major | 2 | 9B | 77 BPM | ||
| Phoebée, Op. 30 | Mel Bonis, Maria Stembolskaya | E♭ Major | 0 | 5B | 68 BPM | ||
| 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | ||
| Piano Concerto No. 2, Op. 28: III. Allegro dramatico | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janacek Philharmonic Orchestra | C Minor | 2 | 5A | 133 BPM | ||
| Prélude, Op. 57 No. 1 | Anatoly Lyadov, Yoko Kikuchi | D♭ Major | 0 | 3B | 88 BPM | ||
| Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | César Franck, Kaja Danczowska, Krystian Zimerman | D Major | 0 | 10B | 84 BPM | ||
| Harnasie, Op. 55: Tableau 2: Taniec goralski (the Tatra Highlanders' Dance) | Karol Szymanowski, Wiesław Ochman, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | C Major | 3 | 8B | 112 BPM | ||
| Miscellanea, Op. 16: No. 2, Melodie in G-Flat Major | Ignacy Jan Paderewski, Yukio Yokoyama | F♯ Major | 0 | 2B | 90 BPM | ||
| Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Heather Schmidt | B Minor | 3 | 10A | 87 BPM | ||
| Sonata for Violin and Piano in D Minor, Op. 9: I. Allegro moderato, patetico | Karol Szymanowski, Rafał Blechacz, Bomsori | F Major | 1 | 7B | 88 BPM | ||
| Stabat Mater, Op. 53: II. I ktoz, widzac tak cierpiaca (Baritone, Chorus) | Karol Szymanowski, Edward Gardner, BBC Symphony Orchestra, Gábor Bretz, BBC Symphony Chorus | D♭ Minor | 2 | 12A | 102 BPM | ||
| Improvisation No. 7 in C Major: Modere sans lenteur | Francis Poulenc, Olivier Cazal | F Major | 1 | 7B | 83 BPM | ||
| Forgotten Melodies I, Op. 38: VI. Canzona serenata | Nikolai Medtner, Alexander Malofeev | F Minor | 0 | 4A | 86 BPM | ||
| Piano Concerto No. 3, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM |