"In My Own Words" by Craig Armstrong had its release date on 2004. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. In My Own Words's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Piano Works". In this album, this song's track order is #1. In My Own Words is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With In My Own Words by Craig Armstrong having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goodnight Dear Void | George Fenton | E Minor | 1 | 9A | 115 BPM | ||
| On the Lake | Aaron Zigman | C Major | 0 | 8B | 58 BPM | ||
| End Roller | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| Runaways (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E Major | 1 | 12B | 80 BPM | ||
| Rupert Bear | Academy of St. Martin in the Fields, Gabriel Yared | B♭ Major | 2 | 6B | 90 BPM | ||
| Simple Harp Variation No. 1 | Martin Phipps | A♭ Minor | 1 | 1A | 101 BPM | ||
| Kate's Theme / End Credits | Lennie Niehaus, Clint Eastwood | F Major | 1 | 7B | 79 BPM | ||
| Bathsheba and Oak Unite | Craig Armstrong | G Major | 2 | 9B | 82 BPM | ||
| End Credits (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 141 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| Climbing For A Kiss | Rupert Gregson-Williams | A Minor | 1 | 8A | 82 BPM | ||
| Natalie Revealed / Karen Confronts Harry | Craig Armstrong | B Major | 0 | 1B | 82 BPM | ||
| San Miguel | Jordan Seigel | G Major | 0 | 9B | 136 BPM | ||
| Mathilde's Theme | Angelo Badalamenti | C Major | 2 | 8B | 64 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Prima del silenzio | Paolo Buonvino | C Minor | 0 | 5A | 79 BPM | ||
| Star Wars: Attack of the Clones: Across the Stars | Royal Philharmonic Orchestra | C Minor | 2 | 5A | 82 BPM | ||
| Emily's Chemo | Mark McKenzie | B♭ Major | 0 | 6B | 70 BPM | ||
| Danielle's Wings | George Fenton | B♭ Major | 1 | 6B | 88 BPM | ||
| Playing Townes | Carlos Rafael Rivera | F Major | 0 | 7B | 68 BPM | ||
| Drawing | Guy Farley | G Major | 1 | 9B | 94 BPM | ||
| Reunion | Burkhard Dallwitz | E♭ Major | 2 | 5B | 111 BPM | ||
| On The Bench | Craig Armstrong | E♭ Minor | 1 | 2A | 75 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM |