"グラン・バットマン1 オリジナル - 3/4 8×4" by 滝澤 志野 had its release date on December 5, 2019. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in ドラマティック・ミュージック・フォー・バレエクラス3, so we believe that "グラン・バットマン1 オリジナル - 3/4 8×4" is a single. グラン・バットマン1 オリジナル - 3/4 8×4 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of グラン・バットマン1 オリジナル - 3/4 8×4 by 滝澤 志野 is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Road Cafe | Sunday Piano | F Major | 0 | 7B | 74 BPM | ||
| プリエ ~「ライモンダ」第3幕 間奏曲~ - 4/4 8×8 | 滝澤 志野 | D♭ Major | 2 | 3B | 81 BPM | ||
| Variations on a Theme of Corelli, Op. 42: No. 17 Variation 15. Listesso tempo | Classical Portraits | D Minor | 0 | 7A | 120 BPM | ||
| Diagonales, Valse No. 1, Op.83 in E-Flat Major | Auguste Durand, Konstantin Mortensen | B♭ Major | 2 | 6B | 91 BPM | ||
| The Last Dinner | Cecilia Tuomikoski | D♭ Minor | 0 | 12A | 74 BPM | ||
| Stay for a Billion | Sel Morasca | C Minor | 1 | 5A | 110 BPM | ||
| Sprinkles | Pino Moravia | C Minor | 0 | 5A | 91 BPM | ||
| Rond de jambe 2 3/4 | Jorge L. Martínez | D Minor | 1 | 7A | 120 BPM | ||
| Plie 6/8 64 Counts | Marina Stolyar | F Major | 0 | 7B | 109 BPM | ||
| La Forchetta Mancante | Marco Mingardi | D Major | 1 | 10B | 65 BPM | ||
| Waltz No. 1, Op. 5 in C Minor "Halcyon" | NES Sound Team, Nick Saretsky | E♭ Major | 0 | 5B | 147 BPM | ||
| 『ジゼル』(第2幕)よりジゼルのヴァリエーション | ガリーナ・ベズグラヤ | E♭ Major | 1 | 5B | 71 BPM | ||
| Battement Fondu- 겨울 연가 ost Treize jours En France (Directed by Eunseok, Shin) | Francis Lai, Ballet pianist Mia | B Major | 1 | 1B | 69 BPM | ||
| Suspicious | Sofia Ingeborg | D Minor | 0 | 7A | 72 BPM | ||
| Adage 3/4 (Waltz Op.39 n°9) | The Ballet Pianist | B♭ Major | 0 | 6B | 100 BPM | ||
| Battements fondus | 정지인 | G Major | 2 | 9B | 112 BPM | ||
| Battements Tendus 4/4 8×4 | Galina Bezuglaya | E Major | 0 | 12B | 63 BPM | ||
| Plies 8x8 | Dan Turcanu | F Minor | 1 | 4A | 98 BPM | ||
| Marfisa Polita | Tom Adorno | D Minor | 2 | 7A | 78 BPM | ||
| Pliés (F. Chopin Op.9 No.2) | Youngsin Sarah Choi | E♭ Major | 1 | 5B | 98 BPM | ||
| The Flow of Achievement | Hugo Focus | F Major | 1 | 7B | 99 BPM | ||
| Easy, Easy Ensembles | Hugo Focus, Shusuke Inari | F Minor | 2 | 4A | 126 BPM | ||
| Plies 3/4 -Valse Op. 42 (Directed by Sungsoo Ahn) | Ballet pianist Mia | A♭ Major | 0 | 4B | 95 BPM | ||
| Battement Jeté Ⅰ | R.Clark, Jiwon Choi | B♭ Major | 1 | 6B | 76 BPM | ||
| Plie 3/4 64 Counts | Marina Stolyar | A Major | 0 | 11B | 116 BPM |