Max Reger, Marc-André Hamelin's 'Variations & Fugue on a Theme by Telemann, Op. 134: Var. 7, Quasi tempo primo' had a release date set for January 1, 1999. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #29. Furthermore, we believe that the track originated from United Kingdom. The popularity of Variations & Fugue on a Theme by Telemann, Op. 134: Var. 7, Quasi tempo primo is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations & Fugue on a Theme by Telemann, Op. 134: Var. 7, Quasi tempo primo by Max Reger, Marc-André Hamelin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Deutsche Messe, D. 872: III. Zum Evangelium und Credo. Nicht zu langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
| Drop, Drop Slow Tears | Orlando Gibbons, The Choir of HM Chapel Royal, Hampton Court Palace, Carl Jackson | F Major | 0 | 7B | 131 BPM | ||
| Te Deum, WAB 45: II. Te ergo, quaesumus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | F Minor | 1 | 4A | 85 BPM | ||
| Magnificat (Chorus) | Carl Philipp Emanuel Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresdner Kammerchor, La Stagione Frankfurt, Michael Schneider | D♭ Major | 2 | 3B | 130 BPM | ||
| Messe D-Dur für Soli, Chor und Orgel, op. 8: I. Kyrie | Antonín Dvořák, Knabenchor Hannover, Tobias Gotting, Heinz Henning | D Major | 1 | 10B | 82 BPM | ||
| Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): IV. Domine Fili | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | D Major | 0 | 10B | 60 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: I. Prélude | César Franck, Vincent Dubois | B Minor | 0 | 10A | 56 BPM | ||
| Peace I Leave With You | Amy Beach, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 1 | 5B | 79 BPM | ||
| Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 84 BPM | ||
| Balbastre: Marche des Marseillois et l'air Ça-ira | Claude Balbastre, Vincent Dubois | C Major | 3 | 8B | 71 BPM | ||
| Lullaby | Rebecca Clarke, Geneviève Laurenceau, Jean-Frédéric Neuburger | C Major | 1 | 8B | 86 BPM | ||
| Maamme | SRK Instrumentaali, Kristiina Puolitaival | G Major | 1 | 9B | 113 BPM | ||
| Schoeck: Notturno, Op. 47: V. Ach, wer möchte einsam trinken - O Einsamkeit! Wie trink' ich gerne - Heerwagen, mächtig Sternbild der Germanen | Othmar Schoeck, Cherubini-Quartett, Dietrich Fischer-Dieskau | G Major | 0 | 9B | 89 BPM | ||
| Weihnacht | Erhard Mauersberger, Isura Madrigal Chor, Johannes Buxbaum | E♭ Major | 0 | 5B | 70 BPM | ||
| Hashir Hashem Luchem | Jay Anthony Gach, Kühn Choir Of Prague, Jakub Pikla | G Major | 1 | 9B | 132 BPM | ||
| Panteón | Juan Pablo Fernández Ramos | D Major | 0 | 10B | 128 BPM | ||
| Piano Trio in E Major, Hob. XV:34: II. Menuet - Trio | Joseph Haydn, Stefan Tarara, Eun-Sun Hong, Josu De Solaun | E Major | 0 | 12B | 134 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Sei nun wieder zufrieden, meine Seele (Psalm 116) | Andreas Hammerschmidt, Bible, Martin Platz, Lautten Compagney Berlin, Wolfgang Katschner | C Major | 1 | 8B | 86 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
| Liebesträume, S.541: No. 1, Hohe Liebe in A-Flat Major | Franz Liszt, Saskia Giorgini | A♭ Major | 0 | 4B | 126 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | B♭ Major | 2 | 6B | 88 BPM |