Thomas Morley, The King's Singers, Robert Spencer's ' "Morley: Balletts to Five Voyces, Book 1: No. 4, Sing We and Chaunt It" was released on its scheduled release date, January 15, 2026. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 110 in A Merry Feast with Music by Wolfgang Amadeus Mozart, Claude Debussy, Frédéric Chopin, Alban Berg, Albert Roussel, Alexander Glazunov, Alexander Scriabin, Amilcare Ponchielli, Andre Danican Philidor, Anonymous, Antonio Vivaldi, Antonín Dvořák, Aram Khachaturian, Arnold von Bruck, Bedřich Smetana, Benjamin Britten, Béla Bartók, Camille Saint-Saëns, Carl Maria von Weber, Charles Gounod, Cole Porter, Dmitri Shostakovich, Déodat de Séverac, Edvard Grieg, Emmanuel Chabrier, Erik Satie, Felix Mendelssohn, Francis Poulenc, Franz Lehár, Franz Liszt, Franz Schubert, François Couperin, François Francoeur, Gabriel Bataille, Gaetano Donizetti, Georg Philipp Telemann, George Butterworth, George Frideric Handel, George Gershwin, Georges Bizet, Giacomo Meyerbeer, Gioachino Rossini, Giuseppe Verdi, Gustav Holst, Gustav Mahler, Hans Leo Hassler, Hector Berlioz, Heinrich Ignaz Franz von Biber, Heitor Villa-Lobos, Henri Rabaud. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Morley: Balletts to Five Voyces, Book 1: No. 4, Sing We and Chaunt It is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Morley: Balletts to Five Voyces, Book 1: No. 4, Sing We and Chaunt It by Thomas Morley, The King's Singers, Robert Spencer is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Petites prières de Saint Francois d'Assise, FP 142: No. 1, Salut, Dame Sainte (Modere, mais sans lenteur) | Francis Poulenc, The King's Singers | F Major | 1 | 7B | 130 BPM | ||
| Intrade - Arr. by L. Güttler | Valerius Otto, Ludwig Güttler, Blechbläserensemble Ludwig Güttler | A Minor | 1 | 8A | 98 BPM | ||
| Rejoice in the Lamb, Festival Cantata, Op. 30: For I will consider my cat Jeoffry | Benjamin Britten, The Choir Of Trinity College, Cambridge | D♭ Minor | 0 | 12A | 78 BPM | ||
| Die Deutsche Liturgie, MWV B 57: III. Kyrie | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 86 BPM | ||
| Tallis: Gaude Gloriosa - 6. Gaude, Virgo Maria, Quae Corpore Et Anima | The Tallis Scholars, Peter Phillips | E Minor | 0 | 9A | 130 BPM | ||
| Glory to Thee, My God, This Night | Thomas Tallis, John Rutter, The Cambridge Singers | G Major | 1 | 9B | 133 BPM | ||
| The Shepherd's Carol | Anonymous, Robert Chilcott, Choir of King's College, Cambridge, Stephen Cleobury, Daniel Hyde | D Major | 0 | 10B | 83 BPM | ||
| Canzon à 7 | Giovanni Gabrieli, Ludwig Güttler, Blechbläserensemble Ludwig Güttler | E♭ Major | 1 | 5B | 115 BPM | ||
| Di pastorali accenti | Leone Leoni, The King's Singers | D Minor | 2 | 7A | 100 BPM | ||
| 3 Carols: No. 2, Balulalow | Peter Warlock, Karen Kerslake, The Cambridge Singers, City of London Sinfonia, John Rutter | A Major | 1 | 11B | 71 BPM | ||
| O Little Town of Bethlehem - Arr. Ralph Vaughan Williams, Patrick Dunachie | Traditional, The King's Singers | B♭ Minor | 0 | 3A | 87 BPM | ||
| Sonata a 5 | Vincenzo Albrici, Members of Berliner Philharmoniker | C Major | 1 | 8B | 92 BPM | ||
| Tomorrow Shall be my Dancing Day (arr. D. Willcocks) | Sir David Willcocks, Traditional, Elora Festival Singers, Noel Edison | B♭ Major | 1 | 6B | 129 BPM | ||
| Dowland: The Firste Booke of Songes: No. 17, Come Again Sweet Love | John Dowland, The King's Singers, Robert Spencer | G Major | 1 | 9B | 106 BPM | ||
| Fürchtet euch nicht | Johann Michael Bach, Capella Sancti Michaëlis, Ricercar Consort | G Major | 1 | 9B | 137 BPM | ||
| Les anges dans nos campagnes | German Brass, Windsbacher Knabenchor | G Major | 1 | 9B | 123 BPM | ||
| Messiah: Part 3, Since by man came death (Chorus) | The Sixteen | D♭ Minor | 1 | 12A | 85 BPM | ||
| Lassus: Dixhuictieme livre de chansons: No. 1, Il estoit une religieuse | Orlande de Lassus, The King's Singers | C Major | 1 | 8B | 115 BPM | ||
| Oratorio de Noël, Op. 12: No. 4 Domine, ego credidi | Camille Saint-Saëns, Marcus Ullmann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger Speck | A Minor | 0 | 8A | 172 BPM | ||
| Fine knacks for ladies | Spencer, The King's Singers | D Major | 1 | 10B | 103 BPM | ||
| Bethlehem Down | Chanticleer | D Minor | 1 | 7A | 63 BPM | ||
| Britten: A Ceremony of Carols, Op. 28: IX. Spring Carol | Benjamin Britten, Choir of King's College, Cambridge, David Willcocks, Osian Ellis | D Major | 0 | 10B | 97 BPM | ||
| Requiem: V. Agnus Dei (Duke Dobing, flute) | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 0 | 7B | 96 BPM | ||
| Adam Lay Ybounden | Choir of St. John's College, Cambridge | D Major | 1 | 10B | 79 BPM | ||
| A Choral Fanfare | John Rutter, The Cambridge Singers | F Major | 1 | 7B | 71 BPM |