"Ecstasy Phonetics" by Classical Music For Work had its release date on May 19, 2025. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Ecstasy Phonetics's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 30 in Caffeine Mellowness by Classical Music For Work. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Ecstasy Phonetics's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ecstasy Phonetics by Classical Music For Work is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alone Again | Melodyan | C Major | 3 | 8B | 119 BPM | ||
| Eyeless Jack | Lucas King | B♭ Major | 0 | 6B | 71 BPM | ||
| Sea Diving | Kidzen | G Major | 0 | 9B | 100 BPM | ||
| Impossible | Olfy | B♭ Minor | 0 | 3A | 66 BPM | ||
| The Walk We Go - Slowed | Austin Farwell | E Major | 0 | 12B | 68 BPM | ||
| Shadows | Ola Gjeilo | C Major | 1 | 8B | 178 BPM | ||
| Cradle Notes | Arlen Sage | D Minor | 0 | 7A | 70 BPM | ||
| 石の記憶 ~ギラバニア山岳地帯:夜~ | 祖堅 正慶 | C Major | 1 | 8B | 111 BPM | ||
| Suite No. 1 in G Major, BWV 1007: I. Prelude | Dimitri Prokofiev | A♭ Major | 3 | 4B | 104 BPM | ||
| Winter Flight | Kang Asol | G Major | 0 | 9B | 66 BPM | ||
| stages | Marcel Sebastian Kaufmann | F Major | 0 | 7B | 65 BPM | ||
| Puppe | Amyzy | D Minor | 0 | 7A | 69 BPM | ||
| Excuse | Sheet Music Boss | D Minor | 0 | 7A | 86 BPM | ||
| Things Left Behind | Jenna Donnais - Marc | A Minor | 1 | 8A | 80 BPM | ||
| Kindred | Dalal | B♭ Major | 1 | 6B | 113 BPM | ||
| Yearing | Leonard Gibson | F♯ Major | 0 | 2B | 82 BPM | ||
| The Desire to Change | Jun Futamata | A Minor | 1 | 8A | 71 BPM | ||
| Traces dans le sable | Jonas Hain | A Minor | 0 | 8A | 97 BPM | ||
| Life Is Klling You | Misya | B♭ Minor | 0 | 3A | 80 BPM | ||
| 6 Variations for Violin and Piano: Var. 2, Moment at Dawn | Charles David Denler, Yumi Hwang-williams | B♭ Major | 0 | 6B | 133 BPM | ||
| Night Mode | Acid Bass | D Major | 0 | 10B | 70 BPM | ||
| Sultry | Hajia | E Major | 1 | 12B | 124 BPM | ||
| 피아노 소나타 No. 14 월광 1악장 | Susan | F Major | 1 | 7B | 145 BPM | ||
| Miniatures for Piano "A Whole in Twelve": No. 2, The Lady Plays | Mikael Ayrapetyan | D♭ Major | 0 | 3B | 76 BPM | ||
| Concerto in D Minor (After Alessandro Marcello), BWV 974: II. Adagio | Alexandra Streliski | B Major | 1 | 1B | 74 BPM |