"Abendlied in E Major (Arr. for Harp), JWV 149" by Josef Rheinberger, Silke Aichhorn had its release date on November 1, 2021. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Traummusik-Harfenklänge zum Einschlafen". In this album, this song's track order is #10. Abendlied in E Major (Arr. for Harp), JWV 149 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Abendlied in E Major (Arr. for Harp), JWV 149 by Josef Rheinberger, Silke Aichhorn having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La source in E-Flat Major, Op. 23 | Albert Heinrich Zabel, Silke Aichhorn | E♭ Minor | 0 | 2A | 45 BPM | ||
| 心灵的旅程 | 赵燮, 周志宏, 中国传统音乐 | D Minor | 1 | 7A | 89 BPM | ||
| The Mother's Brush 母親的竹帚 | Gwenan Gibbard | D Minor | 1 | 7A | 113 BPM | ||
| Nocturne in F Minor "La séparation" - Arranged for Harp | Mikhail Glinka, Silke Aichhorn | C Major | 0 | 8B | 101 BPM | ||
| Soft Guitar Great Relaxation | Bioarmonia | C Major | 1 | 8B | 66 BPM | ||
| Sparkling Joy | Charlotte Silverstein-Gould | G Major | 2 | 9B | 102 BPM | ||
| 3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 3 | 6B | 116 BPM | ||
| En ruta | Eliel E | F Minor | 1 | 4A | 72 BPM | ||
| Prelude by the Lakeside | Laura Lotti | G Major | 1 | 9B | 84 BPM | ||
| No More Fear | Dreamshift | F Minor | 1 | 4A | 72 BPM | ||
| Floating | Sharlene Wallace | B♭ Major | 1 | 6B | 135 BPM | ||
| Sueño Suave con Cuerdas de Arpa | Avanza Por Más - Esteban Correa | D Minor | 2 | 7A | 84 BPM | ||
| 3 Geistliche Gesänge, Op. 69: III. Abendlied | Josef Rheinberger, Vancouver Cantata Singers, James Fankhauser | F Minor | 0 | 4A | 103 BPM | ||
| Kingdom Restored | Peregrinnatti, Steve Rees | A Minor | 2 | 8A | 96 BPM | ||
| Abendlied | Josef Rheinberger, Collegium Vocale Seoul | F Major | 1 | 7B | 72 BPM | ||
| First Castle | Lumia of Forest, The Soul of Wind | D Minor | 1 | 7A | 96 BPM | ||
| ハープのゆったり深呼吸ヒーリング | ちえみかん | C Major | 2 | 8B | 160 BPM | ||
| When Autumn Speaks Slowly | Hush & Cello | F Minor | 1 | 4A | 72 BPM | ||
| Revisión flamígera | Piolet electrónico | F Minor | 1 | 4A | 72 BPM | ||
| Fuego sobre el Monte – Esh Har HaKodesh | Jehú J. Pinares | G Minor | 1 | 6A | 120 BPM | ||
| Early Morning Sun | Little Kaffy | A Major | 0 | 11B | 69 BPM | ||
| This Is My Father's World | Cynthia A. Boener | E♭ Major | 0 | 5B | 114 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variation V | Saverio Mercadante, Claudio Ferrarini | F Minor | 1 | 4A | 72 BPM | ||
| Automates pour harpe: No. 1, Menuet | Bernard Andrès, Catherine Michel | A♭ Minor | 2 | 1A | 95 BPM | ||
| Drifting | Anne Crosby Gaudet | F Major | 1 | 7B | 130 BPM |