Ravindra Sathe's ' "Maya Mandir Halale" was released on its scheduled release date, November 8, 2002. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 5 out of 6 in Chimani Pakhar by Achyut Thakur. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Maya Mandir Halale is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Maya Mandir Halale by Ravindra Sathe is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paisa Jis Ke Paas Hai | Jatin Pandit | F Major | 5 | 7B | 100 BPM | ||
| Guru Mazhya Ho Nathala | Shakuntala Jadhav | B Major | 7 | 1B | 101 BPM | ||
| Aakashete Pujo Pujo | Ravindra Jain, Kavita Krishnamurthy, Vinod Rathod | D♭ Major | 6 | 3B | 88 BPM | ||
| Ekhoni Biday Bolo Na | Mohd. Rafi | F♯ Minor | 5 | 11A | 138 BPM | ||
| A Buke Likhechhi | Milton Khondokar, Ahmed Imtiaz Bulbul | F Minor | 5 | 4A | 118 BPM | ||
| Basma Chhaina Mero Man | Sannu Kumar | G Major | 9 | 9B | 94 BPM | ||
| Kudrat Ne Sanam | Parmod Ajmeriya | E Minor | 6 | 9A | 82 BPM | ||
| O Golap O Malati | Aarti Mukherji | A Minor | 4 | 8A | 147 BPM | ||
| Mala Laglaay Khokala | Usha Mangeshkar | C Major | 5 | 8B | 72 BPM | ||
| Parampita Shiv paramdham se | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Asen Mi Nasen Mi | Arun Date | B Major | 6 | 1B | 165 BPM | ||
| Tari Yaado Ma Jindgi Javani | Vikram Thakor, Dipalee Somaiya Date | B Major | 7 | 1B | 82 BPM | ||
| Manva Mora Milan Mei | Brahma Kumaris | D♭ Minor | 7 | 12A | 80 BPM | ||
| Rone Bone Jangale | Rima Das Gupta | E Minor | 3 | 9A | 141 BPM | ||
| Nako Chaloos Dudkya Chali | Jaywant Kulkarni | A Minor | 5 | 8A | 151 BPM | ||
| Geet Sangeet Amar | Mrinal Banerjee, Kumar Sanu | F Major | 7 | 7B | 187 BPM | ||
| Kal Ki Haseen Mulaqat Ke Liye - Jhankar Beats | Lata Mangeshkar, Kishore Kumar, DJ Harshit Shah, DJ MHD IND | D Major | 6 | 10B | 131 BPM | ||
| Bondhu Tumi Amar | Shakila Zafar, Khalid Hasan Milu | G Major | 9 | 9B | 132 BPM | ||
| Jibone Amar Aro Achhe Gaan | Kumar Sanu | E Major | 4 | 12B | 125 BPM | ||
| Aandhi Aaye Toofan Aaye | Sonu Nigam | A Minor | 7 | 8A | 119 BPM | ||
| Bolbar Ekta Katha | Anand, Milind | A♭ Minor | 5 | 1A | 79 BPM | ||
| Satya hi Shiv hai | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Zalya tini sajna | Harsh Khaire | E♭ Major | 7 | 5B | 90 BPM | ||
| Taasha Koi Bajaye | Sonu Nigam | F Major | 8 | 7B | 99 BPM | ||
| Jab Tak Na Hogi Shadi | Poornima, Om Jha | D♭ Major | 6 | 3B | 88 BPM |