Mohammad Reza Lotfi's 'Foroud' had a release date set for October 29, 1996. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mohammad Reza Lotfi's "Mystery Of Love" album is number 5 out of 22. On top of that, United States appears to be the country where this track was created. Based on our statistics, Foroud's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Foroud by Mohammad Reza Lotfi to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bigonah | Marzieh, Homayoun Khorram | F Major | 2 | 7B | 113 BPM | ||
| Rey Birchun | Bokan Hawrami | A♭ Major | 5 | 4B | 113 BPM | ||
| In This New Love, Die. | Mohammad Reza Lotfi | A Major | 2 | 11B | 90 BPM | ||
| I Was with You All the Way | Masoud Arzanlou | E Major | 4 | 12B | 146 BPM | ||
| Chaharmezrab Segah | Mohammad Reza Lotfi, Majid Khalaj | D Major | 4 | 10B | 74 BPM | ||
| Khodahafez | Simin Ghanem | G Major | 3 | 9B | 84 BPM | ||
| Tasnif Kashki | Masoud Bakhtiyari, Mansour Ghannadpour | A Minor | 6 | 8A | 166 BPM | ||
| Sazo Avaz Homayoun Daramad (Mastimo asheghimo be golzar miravim) | Banan, Javad Maroufi | B♭ Minor | 3 | 3A | 145 BPM | ||
| Samà-E Avà | Behdad Babaj, Parviz Meshkatian, Mohssen Kasirossafar | F Major | 5 | 7B | 170 BPM | ||
| گِره | Neyriz Kamkar, Morteza Momenian, Siavash Kamkar | F Minor | 8 | 4A | 90 BPM | ||
| Tasinf-e-Bi Ta Gol | Hossein Alizadeh | C Major | 4 | 8B | 141 BPM | ||
| Gol Badineh | Masoud Bakhtiyari, Ata Jangoog | D♭ Minor | 4 | 12A | 118 BPM | ||
| Dua - Prayer | Sedat Anar | F♯ Major | 6 | 2B | 126 BPM | ||
| Sepideh for Microtonal Guitar | Alireza Arefmehr, Mohammad Reza Lotfi | E Major | 3 | 12B | 126 BPM | ||
| Yar Kojast | Reza Yazdani | B Minor | 5 | 10A | 140 BPM | ||
| Laylaa Khanoom | Sima Bina | D♭ Major | 2 | 3B | 93 BPM | ||
| Saz O Avaz | Mohammad-Reza Shajarian, Majid Derakhshani | A Major | 1 | 11B | 131 BPM | ||
| Shayesta | Ismail Sardashti | C Major | 9 | 8B | 147 BPM | ||
| Az Yad Rafteh | Banan | G Major | 2 | 9B | 120 BPM | ||
| Ghesseye Ashena | Misagh | D Minor | 4 | 7A | 95 BPM | ||
| Lahzeh-Ye Didar | Ehsan Matoori, Mohsen Namjoo | G Major | 3 | 9B | 148 BPM | ||
| Goftam Ghame to Daram | Dariush Rafiee | C Minor | 2 | 5A | 132 BPM | ||
| Khial - Rework of M.R Shajarian | The Whale | C Minor | 3 | 5A | 106 BPM | ||
| Chaharmezrab Naghmeh | Mohammad-Reza Shajarian, Majid Derakhshani | D♭ Major | 3 | 3B | 84 BPM | ||
| Zarbi | Mohammad Reza Lotfi | B♭ Minor | 1 | 3A | 96 BPM |