"Abegg Variations, Op. 1 - Live" by Robert Schumann, Lang Lang had its release date on January 1, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lang Lang's "Lang Lang - Live at Carnegie Hall" album is number 2 out of 22. On top of that, Germany appears to be the country where this track was created. Abegg Variations, Op. 1 - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Abegg Variations, Op. 1 - Live by Robert Schumann, Lang Lang to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | ||
| Character Pieces, MA Ms. 44 (selections): VIII: Allegro moderato, in B Major | Fanny Mendelssohn, Beatrice Rauchs | A♭ Minor | 1 | 1A | 88 BPM | ||
| Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner) | Luke Faulkner, Alexander Borodin | A Major | 1 | 11B | 72 BPM | ||
| Kinderszenen, Op. 15: XII. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
| 10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
| 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM | ||
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
| Satie: Gnossiennes: IV. Lent | Erik Satie, Hélène Grimaud | C Major | 0 | 8B | 96 BPM | ||
| Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | ||
| Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
| 12 Études, Op. 10: No. 3 in E Major | Frédéric Chopin, Jan Lisiecki | E Major | 1 | 12B | 71 BPM | ||
| Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
| Fauré: Élégie in C Minor, Op. 24 | Gabriel Fauré, Jacqueline du Pré, Gerald Moore | A♭ Major | 0 | 4B | 56 BPM | ||
| Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | ||
| 16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
| Miroirs, M. 43: III. Une barque sur l'océan | Maurice Ravel, Seong-Jin Cho | E Major | 2 | 12B | 142 BPM | ||
| Les Barricades Mystérieuses | François Couperin, Khatia Buniatishvili | B♭ Major | 0 | 6B | 149 BPM | ||
| 6 Piano Pieces, Op. 118: No. 2 in A Major. Intermezzo | Johannes Brahms, Hélène Grimaud | D♭ Major | 1 | 3B | 172 BPM | ||
| 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
| Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Vladimir Horowitz | G Major | 0 | 9B | 70 BPM | ||
| Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 179 BPM | ||
| Keyboard Sonata in F Minor, Kk. 466 - Upright Version | Domenico Scarlatti, Julius Asal | E♭ Major | 0 | 5B | 68 BPM | ||
| 3 Romances, Op. 11: No. 1, Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM |