Fight The Fade's 'What's Left' had a release date set for February 7, 2020. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Fight The Fade's "In Love. in Hope. in Peace." album is number 3 out of 13. On top of that, Turks and Caicos Islands appears to be the country where this track was created. In terms of popularity, What's Left is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of What's Left by Fight The Fade to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Algorithm of Life | A Million Souls | B Major | 10 | 1B | 90 BPM | ||
| Tomorrow | Fight The Fade | A Major | 9 | 11B | 150 BPM | ||
| Crystal Ball | Message from Sylvia | G Major | 9 | 9B | 170 BPM | ||
| Paralyzed | ALESTI, James Deberg | F Minor | 9 | 4A | 82 BPM | ||
| Over the Edge | Wake Up Hate | G Minor | 10 | 6A | 142 BPM | ||
| Empty Mirrors | Everyone Loves A Villain | A♭ Major | 9 | 4B | 176 BPM | ||
| Not Broken | Girl On Fire | E♭ Minor | 9 | 2A | 110 BPM | ||
| Wild Ones | Fight The Fade | A♭ Minor | 9 | 1A | 120 BPM | ||
| Lost Boys | Essenger, Young Medicine | E♭ Minor | 8 | 2A | 126 BPM | ||
| Dying on the Inside | Age of Days | D♭ Minor | 8 | 12A | 96 BPM | ||
| The Coming Storm | Matt Moore | D Major | 10 | 10B | 92 BPM | ||
| I Was Alive | Dark Signal | D Major | 10 | 10B | 130 BPM | ||
| Here I Am | Escape The Day | B Major | 10 | 1B | 155 BPM | ||
| The Cycle | Wake Up Hate | D Major | 10 | 10B | 95 BPM | ||
| I Just Don't Love You Anymore | Wake Up Hate | D♭ Major | 9 | 3B | 86 BPM | ||
| Composure | Fight The Fade | F Minor | 9 | 4A | 160 BPM | ||
| Out of Touch | Living in Fiction | D♭ Major | 8 | 3B | 150 BPM | ||
| Transmissions | Throw The Fight | B Major | 9 | 1B | 150 BPM | ||
| Prey | Line So Thin | B♭ Minor | 9 | 3A | 165 BPM | ||
| Dancing In The Pain | Dark Summer | D♭ Minor | 9 | 12A | 155 BPM | ||
| Time Is Running Out | Emphatic | D♭ Major | 9 | 3B | 110 BPM | ||
| Not Alone | Silver End | D♭ Minor | 9 | 12A | 130 BPM | ||
| Heart in Your Hands | Wearing Scars | F♯ Minor | 9 | 11A | 120 BPM | ||
| Into Nothing | Everrest | G Major | 9 | 9B | 147 BPM | ||
| Nightmare | Fight Like Sin | C Minor | 10 | 5A | 137 BPM |