Anonymous, Piffaro's 'Villano (17th Century) [arr. For chamber ensemble]' had a release date set for June 5, 2012. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Villano (17th Century) [arr. For chamber ensemble]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Piffaro's "Los Ministriles in the New World" album is number 14 out of 30. On top of that, United States appears to be the country where this track was created. In terms of popularity, Villano (17th Century) [arr. For chamber ensemble] is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Villano (17th Century) [arr. For chamber ensemble] by Anonymous, Piffaro to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alleluia Amen: II. amen | David Lang, Trio Mediæval | G Minor | 0 | 6A | 124 BPM | ||
| Requiem for the Living: III. Agnus dei | Dan Forrest, Anna Ogińska, Wiktoria Zawistowska, University of Bielsko-Biala Choir, University of Bielsko-Biała Chamber Orchestra, Jan Borowski | E♭ Major | 2 | 5B | 106 BPM | ||
| Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
| 3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Kantos Chamber Choir, Ellie Slorach | F Minor | 0 | 4A | 140 BPM | ||
| Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM | ||
| Magna Et Mirabilia | Heraldos del Evangelio | G Minor | 2 | 6A | 98 BPM | ||
| In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
| Now the Powers of Heaven | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | B Major | 0 | 1B | 103 BPM | ||
| Josquin: Missa Gaudeamus - 05. Qui Tollis Peccata Mundi, Miserere | The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 83 BPM | ||
| Holy Spirit Mass: Fount of Life: Holy | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Major | 2 | 7B | 86 BPM | ||
| To Demeter | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
| Adoramus te, Christe | Théodore Dubois, Vienna Chamber Choir, Michael Grohotolsky | C Major | 0 | 8B | 102 BPM | ||
| The Haunted Palace: I. Opening | Michael J. Evans, Karolina Rojahn, Anonymous, Vit Micka | A♭ Major | 0 | 4B | 94 BPM | ||
| Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
| Phos hilaron: II. Phos hilaron | Owain Park, The Gesualdo Six | D Major | 0 | 10B | 82 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM | ||
| Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM | ||
| O Little Rose, O Dark Rose | Gerda Blok-Wilson, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| När natten skänker frid | Karin Rehnqvist, Stockholms Musikgymnasium Chamber Choir, Helene Stureborg | B♭ Major | 0 | 6B | 136 BPM | ||
| Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
| I Hunger and Thirst | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | E♭ Major | 0 | 5B | 128 BPM | ||
| Missa quinis vocibus | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | E♭ Minor | 1 | 2A | 135 BPM |