"Etudes: IV. Adagio" by Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra had its release date on February 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Riisager: Etudes". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Etudes: IV. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etudes: IV. Adagio by Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prince Igor: Dance of the Polovtsian Maidens. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| Carmen Ballet Suite (after Bizet): X. Torero and Carmen | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | C Minor | 1 | 5A | 94 BPM | ||
| Suite from "Etude" Ballet: IV. Mazurka | Knudåge Riisager, Royal Danish Orchestra, Jerzy Semkow | F Major | 3 | 7B | 128 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
| Ritter Pázmán: Csárdás | Johann Strauss II, Carlos Kleiber, Wiener Philharmoniker | D Major | 3 | 10B | 75 BPM | ||
| VI. Waltz No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| La Sylphide: Act I: Pas de deux - Reel | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | F Major | 1 | 7B | 101 BPM | ||
| Britten: Soirées musicales, Op. 9: III. Tirolese | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | D♭ Major | 2 | 3B | 81 BPM | ||
| Grieg: Suite from Peer Gynt No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Desire-Emile Inghelbrecht, Orchestre National Radiodiffusion Française | E Minor | 1 | 9A | 114 BPM | ||
| No. 18 Marsch | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 3 | 10B | 127 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
| Raymonda, Act III: Entree | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D♭ Major | 1 | 3B | 68 BPM | ||
| Le Corsaire: Pas de Trois - Ali Variation | Yuly Gerber, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 1 | 4B | 85 BPM | ||
| Symphony in C Major, GB 115: III. Allegro vivace | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 116 BPM | ||
| Raymonda, Act II: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 0 | 7B | 127 BPM | ||
| Concertino for Trumpet and Strings, Op. 29: II. Andantino semplice | Knudåge Riisager, Håkan Hardenberger, Helsingborg Symphony Orchestra, Thomas Dausgaard | E Minor | 5 | 9A | 118 BPM | ||
| Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM | ||
| Act III. Spanish dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F♯ Minor | 2 | 11A | 119 BPM | ||
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Coppélia, Tableau 1: No. 4 Scène | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | A♭ Major | 0 | 4B | 65 BPM | ||
| Symphony in C Major, GB 115: II. Adagio | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | A Minor | 0 | 8A | 117 BPM | ||
| La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM |