"Concerto for Recorder and Flute in E Minor, TWV 52:e1: I. Largo" by Georg Philipp Telemann, Cordevento, Erik Bosgraaf, Anna Besson had its release date on October 7, 2016. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Telemann: The Double Concertos with Recorder". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Concerto for Recorder and Flute in E Minor, TWV 52:e1: I. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Recorder and Flute in E Minor, TWV 52:e1: I. Largo by Georg Philipp Telemann, Cordevento, Erik Bosgraaf, Anna Besson having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oboe Concerto in E-Flat Major, Wq. 165, H. 468: III. Allegro ma non troppo | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | E♭ Major | 1 | 5B | 97 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM | ||
| Concerto in G for 2 Viols, Strings and Basso continuo, TWV 52:G3: IV. Vif | Georg Philipp Telemann, Reinhard Goebel, Florian Deuter, Musica Antiqua Köln | F♯ Major | 2 | 2B | 127 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 3 | 12A | 70 BPM | ||
| Recorder Concerto in F Major: 2. Siciliano | Giuseppe Sammartini, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | A♭ Minor | 1 | 1A | 105 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 2 | 10B | 114 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 2: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante | Arcangelo Corelli, Quido Holbling, Ludovit Kanta, Anna Holbling, Daniela Ruso, Capella Istropolitana | F Major | 2 | 7B | 131 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Concerto No. 7 in G Minor After D. Scarlatti: IV. Allegro affettuoso | Charles Avison, Jeanne Lamon, Tafelmusik Baroque Orchestra | A♭ Major | 2 | 4B | 131 BPM | ||
| Part I. Overture in E minor: V. Passepied | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Major | 1 | 5B | 105 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Major | 1 | 9B | 144 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Concerto à 5 in E minor: 2. Andante | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 92 BPM | ||
| Cello Sonata in F Major, Op. 1, No. 1: I. Largo | Benedetto Marcello, Collegium Pro Musica | B Major | 1 | 1B | 77 BPM | ||
| Concerto No 1 in G major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | D♭ Major | 1 | 3B | 187 BPM | ||
| Concerto in G Major, S. 215: I. Andante e staccato | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 0 | 2A | 72 BPM | ||
| Concerto grosso No. 3 in D Minor: III. Vivace (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 183 BPM | ||
| Symphony No. 69 in A Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A♭ Major | 2 | 4B | 117 BPM | ||
| Violin Concerto No. 3 in A Major, Hob. VIIa:3: II. Adagio moderato | Joseph Haydn, Augustin Hadelich, Kolner Kammerorchester, Helmut Müller-Brühl | C Minor | 1 | 5A | 111 BPM | ||
| Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
| Trio Sonata in A Minor, BuxWV 272 | Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier Fortin | A Minor | 2 | 8A | 171 BPM | ||
| Echo in F Major: II. Adagio | Antonio Lotti, Ensemble Zefiro, Alfredo Bernardini | D♭ Minor | 1 | 12A | 63 BPM | ||
| Concerto for Flute and Oboe in G Major, FWV L:G8: III. Allegro | Johann Friedrich Fasch, Gunther Holler, Helmut Hucke, Cappella Coloniensis, Hans-Martin Linde | E♭ Minor | 2 | 2A | 127 BPM | ||
| Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso | Unico Wilhelm van Wassenaer, Amsterdam Baroque Orchestra, Ton Koopman | G Minor | 3 | 6A | 78 BPM |