"Il Sedecia, Rè di Gerusalemme: "Caldo Sangue"" by Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski had its release date on January 1, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Opera Proibita (Bonus Track Version)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Il Sedecia, Rè di Gerusalemme: "Caldo Sangue" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Sedecia, Rè di Gerusalemme: "Caldo Sangue" by Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Porpora: Ifigenia in Aulide: Nel già bramoso petto | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | B Minor | 1 | 10A | 112 BPM | ||
| Tosca, Act III: E lucevan le stelle | Giacomo Puccini, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 74 BPM | ||
| Il Trionfo del Tiempo e del Disinganno, HWV 46a: "Lascia la spina cogli la rosa" | George Frideric Handel, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | E Major | 1 | 12B | 180 BPM | ||
| The Fairy Queen, Z. 629, Act V: The Plaint | Henry Purcell, Alfred Deller, Roderick Skeaping, Wieland Kuijken, William Christie | F♯ Minor | 1 | 11A | 135 BPM | ||
| La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
| Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
| Bellini: I Capuleti e i Montecchi, Act I: "Oh! Quante volte" (Giulietta) | Vincenzo Bellini, Natalie Dessay, Evelino Pidò, Concerto Köln | G Minor | 0 | 6A | 75 BPM | ||
| Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
| Ch'io mi scordi di te?... Non temer, amato bene, K. 490 | Wolfgang Amadeus Mozart, Cecilia Bartoli, Maxim Vengerov, Kammerorchester Basel, Muhai Tang | B♭ Major | 2 | 6B | 124 BPM | ||
| Manna: Laudate pueri: IV. Gloria | Gennaro Manna, Jakub Józef Orliński, Il pomo d'oro Choir, Francesco Corti, Il Pomo D'oro | E Major | 2 | 12B | 80 BPM | ||
| Scarlatti, A: Ombre tacite e sole: IV. Aria. "Allor d’intorno a te" | Alessandro Scarlatti, Philippe Jaroussky, Artaserse | F♯ Major | 3 | 2B | 124 BPM | ||
| Dolente immagine di Fille mia | Vincenzo Bellini, Cecilia Bartoli, James Levine | E Minor | 0 | 9A | 82 BPM | ||
| Schiassi: Maria Vergine al Calvario: "L'agnelletta timidetta" | Gaetano Maria Schiassi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 1 | 1A | 89 BPM | ||
| Porpora: Mitridate: La gioia ch'io sento | Colley Cibber, Philippe Jaroussky, Cecilia Bartoli, Andrea Marcon, Venice Baroque Orchestra | A♭ Major | 2 | 4B | 86 BPM | ||
| La morte d'Abel: Questi al cor finora ignoti | Antonio Caldara, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | A Minor | 1 | 8A | 95 BPM | ||
| Caccini: Le nuove musiche: VIII. Amarilli, mia bella | Giulio Caccini, Nathalie Stutzmann, Marie-Domitille Murez | F♯ Major | 1 | 2B | 170 BPM | ||
| La fida ninfa, RV 714, Act II, Scene 3: Recitativo (Narete, Oralto) | Antonio Vivaldi, Jean-Christophe Spinosi, Lorenzo Regazzo, Ensemble Matheus, Topi Lehtipuu | E Minor | 1 | 9A | 69 BPM | ||
| Il re pastore, K. 208 / Act 2: "L'amerò, sarò costante" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Maxim Vengerov, Kammerorchester Basel, Muhai Tang | E♭ Major | 1 | 5B | 138 BPM | ||
| L'Orfeo / Act III: "Possente spirto" | Claudio Monteverdi, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 74 BPM | ||
| La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
| Così fan tutte ossia La scuola degli amanti, K.588 - (L. da Ponte) - Act 1: "Soave sia il vento" | Wolfgang Amadeus Mozart, Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 2 | 12B | 74 BPM | ||
| Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
| Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
| If music be the food of love, Z.379 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Major | 1 | 12B | 99 BPM | ||
| Argippo, RV 697 / Act 1: "Se lento ancora il fulmine" | Antonio Vivaldi, Cecilia Bartoli, Ensemble Matheus, Jean-Christophe Spinosi | G Minor | 3 | 6A | 75 BPM |