Six Organs Of Admittance's 'Maximum Hexadic' had a release date set for February 17, 2015. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Maximum Hexadic's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Six Organs Of Admittance's "Hexadic" album is number 3 out of 9. On top of that, United States appears to be the country where this track was created. The popularity of Maximum Hexadic is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Maximum Hexadic by Six Organs Of Admittance to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ember | Dirty Three | D Major | 4 | 10B | 134 BPM | ||
| Winnipesaukee Night | Kinloch Nelson | B Major | 3 | 1B | 97 BPM | ||
| The Very Day I’m Gone | Nora Brown | B Major | 1 | 1B | 165 BPM | ||
| Miss May's Place | Jack Rose | D Major | 5 | 10B | 118 BPM | ||
| Lunaria Enters the Blue Lodge | Fursaxa | F Major | 0 | 7B | 100 BPM | ||
| If you were here and I was there | David Kilgour, The Heavy Eights, David Kilgour And The Heavy Eights | B♭ Major | 1 | 6B | 118 BPM | ||
| Waiting | Kinloch Nelson | C Minor | 2 | 5A | 102 BPM | ||
| Spiring Plume | Hala Strana | B Minor | 3 | 10A | 141 BPM | ||
| Kit's Choice | Tren Brothers, Mick Turner, Jim White | G Major | 4 | 9B | 172 BPM | ||
| Good (Where Is She) | Igor Igor | C Minor | 4 | 5A | 126 BPM | ||
| Rivers That You Cannot See | North Americans | C Major | 2 | 8B | 168 BPM | ||
| Into the Dark | Harrison and Dunkley | G Minor | 0 | 6A | 179 BPM | ||
| Soft Light | Mason Lindahl | D♭ Major | 2 | 3B | 122 BPM | ||
| Dance Acadia | Loren Connors | D Major | 0 | 10B | 88 BPM | ||
| Why Keep Still? | James Blackshaw | E Major | 3 | 12B | 105 BPM | ||
| Airs 18 | Loren Connors | B Major | 0 | 1B | 52 BPM | ||
| Juanita | Acetone | D Major | 2 | 10B | 95 BPM | ||
| Kensington Blues | Jack Rose | E Major | 6 | 12B | 97 BPM | ||
| Lisboa | Six Organs Of Admittance | G Major | 1 | 9B | 143 BPM | ||
| Hollow Light, Severed Sun | Six Organs Of Admittance | F Major | 5 | 7B | 143 BPM | ||
| God(')s Laugh | WhoSahRa | D Minor | 1 | 7A | 117 BPM | ||
| Golden Seeds | Daisy Rickman | C Major | 4 | 8B | 134 BPM | ||
| Kissing Rosy In The Rain | Mason Lindahl | E♭ Major | 3 | 5B | 111 BPM | ||
| Nettles | Hala Strana | D Major | 10 | 10B | 124 BPM | ||
| Airs 5 | Loren Connors | F♯ Major | 0 | 2B | 130 BPM |