Julie Rhodes's 'End of the Line' had a release date set for February 26, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 11 in Bound to Meet the Devil by Julie Rhodes. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, End of the Line's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of End of the Line by Julie Rhodes is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magnolia | Mail the Horse | E Major | 2 | 12B | 84 BPM | ||
| Shine Bright | Marcia Ball | G Major | 9 | 9B | 106 BPM | ||
| Moved | The Reverend Shawn Amos | C Major | 3 | 8B | 100 BPM | ||
| Where They Never Say Your Name (Live) | Eilen Jewell | D Major | 4 | 10B | 127 BPM | ||
| Doing Too Much | Ronnie Baker Brooks, 'Big Head' Todd Mohr | A Major | 7 | 11B | 89 BPM | ||
| Leave My Guitar Alone | Chris Robinson Brotherhood | E Major | 8 | 12B | 116 BPM | ||
| Forever Cold | Smooth Hound Smith | D Minor | 6 | 7A | 116 BPM | ||
| Born Under A Bad Sign | William Bell | F♯ Minor | 7 | 11A | 91 BPM | ||
| Have Mercy | Shemekia Copeland | A♭ Major | 6 | 4B | 110 BPM | ||
| Working Woman | Ruthie Foster | D Major | 8 | 10B | 76 BPM | ||
| Worried Mind | Kyshona | A Major | 7 | 11B | 138 BPM | ||
| Smalltown Blues | Ruthie Foster | E Major | 7 | 12B | 202 BPM | ||
| Change in Blue | Hannah Gill | G Minor | 5 | 6A | 126 BPM | ||
| 2:22 | Grace Potter & The Nocturnals | B Minor | 1 | 10A | 75 BPM | ||
| Misunderstood | Carolyn Wonderland | C Major | 8 | 8B | 110 BPM | ||
| Living Hell | Buffalo Nichols | B Major | 7 | 1B | 105 BPM | ||
| Working Man Blues #22 | Jonah Tolchin | D♭ Major | 6 | 3B | 144 BPM | ||
| Back to Chicago (feat. Mike Zito) | Lauren Anderson, Mike Zito | B♭ Minor | 5 | 3A | 80 BPM | ||
| She's Got Somethin' On Me | Cedric Burnside, Lightnin' Malcom, Jason Ricci | C Major | 3 | 8B | 68 BPM | ||
| Blues Improvisation in E | JIII | A Major | 7 | 11B | 120 BPM | ||
| You’re the Best Lover That I Ever Had | Steve Earle | A Major | 5 | 11B | 151 BPM | ||
| No Way No How | Patrick Sweany | B♭ Major | 7 | 6B | 134 BPM | ||
| Deep Ellum | North Mississippi Allstars | A Major | 8 | 11B | 150 BPM | ||
| Honest Man | Matt Andersen | G Minor | 6 | 6A | 96 BPM | ||
| Miss Maybelle | North Mississippi Allstars | G Major | 7 | 9B | 95 BPM |