Mark Maxwell's ' "The Sublime Significance of Nothingness (2020)" was released on its scheduled release date, August 12, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Slip Away". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Turks and Caicos Islands. The Sublime Significance of Nothingness (2020) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Sublime Significance of Nothingness (2020) by Mark Maxwell having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Foreign Affair | George Jinda | E♭ Minor | 3 | 2A | 97 BPM | ||
| It's Gonna Be Alright | Steve Cole | A Minor | 7 | 8A | 171 BPM | ||
| Little Harbor Dialogues | Indigo City | B♭ Minor | 5 | 3A | 90 BPM | ||
| Shifted Harmony | Motion Ledger | G Minor | 5 | 6A | 121 BPM | ||
| Light Breeze | Velvet Loops | G Minor | 5 | 6A | 121 BPM | ||
| A Place for You | Mark Allen Felton | D Minor | 5 | 7A | 80 BPM | ||
| Intimacy | Steve Cole | C Major | 0 | 8B | 60 BPM | ||
| Mi vida eres tú | Discovey Light Orchestra | E♭ Minor | 5 | 2A | 80 BPM | ||
| Still Lovin' You | Freddie Fox | C Major | 5 | 8B | 170 BPM | ||
| Two Hearts | Doc Powell | A Major | 2 | 11B | 124 BPM | ||
| Baby Come To Me | George Howard | A♭ Major | 6 | 4B | 84 BPM | ||
| Purple Rain | Mark Maxwell | F Minor | 4 | 4A | 132 BPM | ||
| Background Music | Tiffany Bright | D Major | 4 | 10B | 75 BPM | ||
| Sphere | Dan Siegel | A♭ Major | 5 | 4B | 92 BPM | ||
| The World Is A Ghetto | The Sax Pack | C Minor | 8 | 5A | 100 BPM | ||
| The First the Least My Everything | Luciano Salvemini, Francesco Digilio | C Major | 4 | 8B | 106 BPM | ||
| Broken Cadence | Motion Ledger | G Minor | 5 | 6A | 121 BPM | ||
| Up to Heaven | The Max Da Costa Trio | B♭ Major | 6 | 6B | 94 BPM | ||
| When We Dance | Ken Navarro | G Minor | 6 | 6A | 91 BPM | ||
| Whenever You Call Me | Brian Clay | A♭ Minor | 4 | 1A | 108 BPM | ||
| Little Talks | Love Suggestions | A♭ Major | 5 | 4B | 144 BPM | ||
| What U Want, What U Need | Jarez | B♭ Major | 4 | 6B | 130 BPM | ||
| The Which Minute | James Elles | A Minor | 5 | 8A | 168 BPM | ||
| Silent Partner | Jazz Funk Soul | C Major | 4 | 8B | 116 BPM | ||
| Almost Right | Mark Maxwell | D Minor | 4 | 7A | 130 BPM |