"あの日の真実" by Naoki Sato had its release date on December 18, 2013. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 「永遠の0」 オリジナル・サウンドトラック, so we believe that "あの日の真実" is a single. あの日の真実 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of あの日の真実 by Naoki Sato is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dark Hooks | Konfusia Clayman, Konfusi Clayton | B Minor | 3 | 10A | 120 BPM | ||
| Fob_01 | Shiro SAGISU, Akira Ifukube | B♭ Minor | 3 | 3A | 90 BPM | ||
| 想いと共に | Taro Iwashiro | G Major | 4 | 9B | 156 BPM | ||
| 黒煙 | KOHTA YAMAMOTO | D Minor | 0 | 7A | 65 BPM | ||
| The Next Chapter | Rupert Gregson-Williams | C Minor | 5 | 5A | 153 BPM | ||
| Shadows of Sorrow | Kevin Blumenfeld, Lorne Balfe | C Major | 4 | 8B | 130 BPM | ||
| 西郷どん -メインテーマ- | 下野竜也, NHK交響楽団, 里アンナ | G Minor | 5 | 6A | 76 BPM | ||
| Illusion | Jay Skl | F♯ Major | 1 | 2B | 91 BPM | ||
| This Is War | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| Heroic Rescue | 斎木達彦 | G Major | 6 | 9B | 104 BPM | ||
| Searching | Benjamin Wallfisch | B♭ Minor | 5 | 3A | 83 BPM | ||
| 戦い 拮抗(UO_M-9) | Narasaki | A♭ Major | 2 | 4B | 180 BPM | ||
| Lesser Crucible | Akihiro Manabe | D♭ Major | 6 | 3B | 104 BPM | ||
| 江~姫たちの戦国~(メインテーマ) | Ryo Yoshimata | D Minor | 3 | 7A | 156 BPM | ||
| 旅路は続く | 坂部剛 | A Minor | 5 | 8A | 181 BPM | ||
| 異世界からの侵略者 | 沢田完 | A Minor | 7 | 8A | 104 BPM | ||
| 「PJ ー航空救難団ー」メインテーマ | Yu Takami | A Minor | 8 | 8A | 132 BPM | ||
| Discovery | John Paesano | B Major | 3 | 1B | 136 BPM | ||
| EM20_rhythm_GZM | Shiro Sagisu, 伊福部昭 | B♭ Minor | 3 | 3A | 90 BPM | ||
| With Pride | Naoki Sato | C Major | 7 | 8B | 86 BPM | ||
| The Mobile Suit Development Council | Takashi Ohmama | A Minor | 1 | 8A | 172 BPM | ||
| 20200723zr | Sawano Hiroyuki | F Major | 3 | 7B | 131 BPM | ||
| The Saika Academy | Masaru Yokoyama | D Major | 2 | 10B | 152 BPM | ||
| Aterrorizando Por Doquier | Bulruk | A Minor | 5 | 8A | 100 BPM | ||
| GODZILLA's Theme - Singularpoint | 沢田完 | C Major | 5 | 8B | 117 BPM |