"Waiting For A Wave" by Mike Batt had its release date on May 8, 2020. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Waiting For A Wave's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "The Penultimate Collection". In this album, this song's track order is #1. Based on our statistics, Waiting For A Wave's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Waiting For A Wave by Mike Batt having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Streets of London | Ralph McTell | E Major | 3 | 12B | 156 BPM | ||
| Nights In White Satin - feat. Justin Hayward | Mike Batt | E Minor | 4 | 9A | 150 BPM | ||
| Chanson d'Amour | The Manhattan Transfer | D Minor | 3 | 7A | 99 BPM | ||
| Theme from the Onedin Line | John Keating/London Symphony Orchestra | D♭ Major | 3 | 3B | 112 BPM | ||
| Rocking Affair | The New Symphonics | A Minor | 7 | 8A | 136 BPM | ||
| Thank You, Stars | Katie Melua | F Major | 3 | 7B | 89 BPM | ||
| Love's Theme | Giorgio Moroder | F Major | 2 | 7B | 73 BPM | ||
| Diamond | Louise Tucker | A♭ Major | 3 | 4B | 183 BPM | ||
| Stay With Me 'Til the Morning | The New London Chorale, Vicki Brown | B♭ Major | 4 | 6B | 145 BPM | ||
| Love Is / One More Time | Jon & Vangelis | G Major | 1 | 9B | 79 BPM | ||
| Vtedy na západe - Spiel mir das Lied vom Tod | Patricia Janečková | A Major | 5 | 11B | 88 BPM | ||
| A Bridge (That Carries Us Over) - 2004 Remaster | Clannad | A Minor | 2 | 8A | 73 BPM | ||
| Frozen Orange Juice | Peter Sarstedt | F Major | 6 | 7B | 120 BPM | ||
| Hero of a Fool | Jennifer Rush | B Major | 3 | 1B | 126 BPM | ||
| Bright Eyes | Mike Batt, The Royal Scots Dragoon Guards, Cliff Masterson, The Czech Film Orchestra | B♭ Major | 3 | 6B | 108 BPM | ||
| Spirit On The Water | Barclay James Harvest | A Major | 2 | 11B | 92 BPM | ||
| Oh Yeah! | Roxy Music | C Major | 5 | 8B | 140 BPM | ||
| Sarabande | Sky | D Minor | 1 | 7A | 132 BPM | ||
| One More Mile To Go - Re-Recorded Version | Chris de Burgh, Nick Ingman, London Session Orchestra, The Gwalia Male Choir | C Major | 3 | 8B | 125 BPM | ||
| Andromeda Rising | Sally Oldfield | A Minor | 7 | 8A | 120 BPM | ||
| Only the Ones We Love | Tanita Tikaram | F Major | 2 | 7B | 105 BPM | ||
| Where Shadows Rest | Aureum Classics | B♭ Major | 4 | 6B | 81 BPM | ||
| All Creatures Great and Small | Johnny Pearson | D Major | 4 | 10B | 112 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| Play Ground | Henri Seroka | D Major | 5 | 10B | 103 BPM |