Asha Bhosle, Kishore Kumar, R. D. Burman's ' "Sun Zara Shokh Haseena" was released on its scheduled release date, July 10, 1981. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in R. D. Burman's "Harjaee" album is number 8 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Sun Zara Shokh Haseena is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sun Zara Shokh Haseena by Asha Bhosle, Kishore Kumar, R. D. Burman to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ooh La La | Vishal-Shekhar, Bappi Lahiri, Shreya Ghoshal | F♯ Major | 10 | 2B | 126 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Aur Kya Ahede Wafa - Female Version | R. D. Burman, Asha Bhosle | C Major | 5 | 8B | 159 BPM | ||
| Aaj Ki Raat Koi Aane Ko Hai | Asha Bhosle | A♭ Major | 6 | 4B | 94 BPM | ||
| Mere Naseeb Mein - From "Naseeb" | Lata Mangeshkar | F Major | 8 | 7B | 98 BPM | ||
| Jane Woh Kaise Log The | Hemant Kumar | E Major | 3 | 12B | 93 BPM | ||
| Gun Guna Rahe Hai Bhanvare | Asha Bhosle, Mohammed Rafi, S. D. Burman | B Major | 4 | 1B | 104 BPM | ||
| Jeene Ke Bahane Lakhon Hain (From "Khoon Bhari Maang") | Asha Bhosle | E♭ Minor | 7 | 2A | 124 BPM | ||
| Parda Hata Do - Trap Mix | Farooq Got Audio, Asha Bhosle, Mohammed Rafi | E♭ Minor | 6 | 2A | 130 BPM | ||
| Tere Dil Ke Paas | Sonu Nigam, Asha Bhosle | D Major | 10 | 10B | 137 BPM | ||
| Chori Pe Chori | A.R. Rahman, Asha Bhosle, Karthik, Gulzar | E♭ Minor | 8 | 2A | 137 BPM | ||
| Ek Ho Gaye Hum Aur Tum - From "Bombay" | Remo Fernandes | C Major | 6 | 8B | 95 BPM | ||
| Pyar Kiya To Nibhana | Anuradha Paudwal, Udit Narayan | G Major | 6 | 9B | 94 BPM | ||
| Aane Se Uske Aaye Bahar | Mohammed Rafi, Laxmikant–Pyarelal | F♯ Minor | 4 | 11A | 95 BPM | ||
| Mero Gaam Katha Parey (From "Manthan") | Preeti Sagar, Vanraj Bhatia | E Major | 6 | 12B | 115 BPM | ||
| Chand Si Mehbooba Ho Meri | Mukesh | F Major | 3 | 7B | 88 BPM | ||
| Saiyan Dil Mein Aana Re | Shamshad Begum | C Major | 4 | 8B | 103 BPM | ||
| Mera Kuchh Samaan | Asha Bhosle | E Minor | 4 | 9A | 115 BPM | ||
| Tirchi Topiwale - 2 | Amit Kumar, Sapna Mukherjee | F Minor | 6 | 4A | 81 BPM | ||
| Ehsan Tera Hoga Mujh Par (From "Junglee") - Male Vocals | Mohammed Rafi | A♭ Minor | 4 | 1A | 90 BPM | ||
| Chhupana Bhi Nahin Aata (From "Baazigar") | Pankaj Udhas | E♭ Major | 5 | 5B | 157 BPM | ||
| Chandni O Meri Chandni | Sridevi Kapoor, Jolly Mukherjee | D Minor | 8 | 7A | 91 BPM | ||
| Yeh Jo Mohabbat Hai | Kishore Kumar, R. D. Burman | G Minor | 3 | 6A | 126 BPM | ||
| Awaara Bhanwre Jo Haule | Malaysia Vasudevan, Hema Sardesai | G Major | 6 | 9B | 100 BPM | ||
| Tu Is Tarah Se - Hemlata | Hemlata | G Major | 3 | 9B | 91 BPM |