"Behold, And See If There Be Any Sorrow" by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra had its release date on January 1, 1987. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 7 out of 54. On top of that, United States appears to be the country where this track was created. Behold, And See If There Be Any Sorrow is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Behold, And See If There Be Any Sorrow by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": III. Adagio - Allegro - Adagio | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | E♭ Major | 0 | 5B | 122 BPM | ||
| Gloria: Cum Sancto Spiritu | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 121 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Imple superna gratia | Gustav Mahler, Barbara Kubiak, Izabella Kłosińska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| Giulio Cesare in Egitto, HWV 17 / Atto primo: Recitativo "Regni Cleopatra" - Live | George Frideric Handel, Magdalena Kožená, Pascal Bertin, Bejun Mehta, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour, Mirella Giardelli | D♭ Major | 1 | 3B | 109 BPM | ||
| Ave Maria, CG 89a | Charles Gounod, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | F Major | 1 | 7B | 106 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": I. Vivace - Grave | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | G Minor | 0 | 6A | 83 BPM | ||
| O di Betlemme, altera poverta ventu: I. Sinfonia | Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Müller-Brühl | A Major | 0 | 11B | 77 BPM | ||
| Vom Himmel hoch: VI. Schlusschor "Lob, ehr sei Gott im höchsten Thron" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | C Major | 2 | 8B | 92 BPM | ||
| Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 31: "Schließe, mein Herze, dies selige Wunder" | Johann Sebastian Bach, Christa Ludwig, Münchener Bach-Orchester, Karl Richter | B Minor | 1 | 10A | 93 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris | Antonio Vivaldi, Teresa Berganza, Lucia Valentini Terrani, New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | D Major | 4 | 10B | 144 BPM | ||
| I Know That My Redeemer Liveth | London Philharmonic Orchestra | E Major | 1 | 12B | 77 BPM | ||
| Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | D Major | 0 | 10B | 128 BPM | ||
| Messiah, HWV 56: Part 2: Hallelujah (Chorus) | Nikolaus Harnoncourt | D♭ Major | 3 | 3B | 86 BPM | ||
| Messiah, HWV 56 / Pt. 1: And The Angel Said Unto Them | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Felicity Lott | A Major | 1 | 11B | 86 BPM | ||
| In the Bleak Midwinter | Harold Darke, Choir of King's College, Cambridge, David Willcocks, Simon Preston | G Major | 2 | 9B | 163 BPM | ||
| Oratorio de Noël, Op. 12: Quintet and Chorus. Consurge, Filia Sion (Soprano 1, Soprano 2, Alto, Bass, Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | D Major | 0 | 10B | 128 BPM | ||
| Sussex Carol | Choir of King's College, Cambridge, Simon Preston, David Willcocks | G Major | 0 | 9B | 85 BPM | ||
| Mass No.2 in G Major, D.167: VI. Agnus Dei | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | ||
| Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 29 Duett: "Herr, dein Mitleid, dein Erbarmen" | Johann Sebastian Bach, Gundula Janowitz, Franz Crass, Münchener Bach-Orchester, Karl Richter | G Major | 0 | 9B | 81 BPM | ||
| Charpentier : Messe de minuit pour Noël H9 : Credo in unum Deum | Marc-Antoine Charpentier, William Christie | D Major | 5 | 10B | 139 BPM | ||
| Magnificat in G Minor, RV 610a: VII. Suscepit Israel | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | E♭ Minor | 2 | 2A | 130 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 140: No. 5, So geh herein zu mir | Johann Sebastian Bach, Leipzig Thomaner Choir, Peter Schreier, Arleen Auger, Siegfried Lorenz, Hans-Joachim Rotzsch, Leipzig New Bach Collegium Musicum | A Minor | 2 | 8A | 83 BPM | ||
| Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 108 BPM | ||
| Tomorrow Shall be my Dancing Day (arr. D. Willcocks) | Sir David Willcocks, Traditional, Elora Festival Singers, Noel Edison | B♭ Major | 1 | 6B | 129 BPM | ||
| Oratorio de Noël, Op. 12: Air. Expectants expectavi Dominum (Soprano) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | E Major | 1 | 12B | 115 BPM |