Komeda's ' "Frolic" was released on its scheduled release date, September 24, 1996. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The Genius Of Komeda". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Sweden. The popularity of Frolic is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Frolic by Komeda having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In This City | Enon | D♭ Major | 6 | 3B | 116 BPM | ||
| Just Like Henry | Dressy Bessy | G Major | 6 | 9B | 108 BPM | ||
| Brother | Komeda | F Major | 5 | 7B | 162 BPM | ||
| Bad Poems | Mary Henry | E Minor | 8 | 9A | 101 BPM | ||
| Since You Stole My Heart | Saturday Looks Good To Me | A♭ Major | 2 | 4B | 179 BPM | ||
| Leave It to Rust | Enon | B Minor | 9 | 10A | 110 BPM | ||
| Shave | Enon | B Major | 4 | 1B | 101 BPM | ||
| Waiting For The Crisis | Kate Fagan | B♭ Minor | 4 | 3A | 181 BPM | ||
| The Leanover | Life Without Buildings | B Minor | 8 | 10A | 118 BPM | ||
| Answer | They Might Be Giants | D Major | 5 | 10B | 112 BPM | ||
| Escalator Over the Hill | Talulah Gosh | D Major | 8 | 10B | 110 BPM | ||
| Song Against Sex | Neutral Milk Hotel | B♭ Major | 7 | 6B | 173 BPM | ||
| My Husband's Pied-a-Terre | The Magnetic Fields | C Major | 4 | 8B | 117 BPM | ||
| Wash and Dance | Monade, Laetitia Sadier | G Major | 9 | 9B | 128 BPM | ||
| It Doesn't Matter | Komeda | A Minor | 7 | 8A | 119 BPM | ||
| Obscene & Pornographic Art | Bongwater | F♯ Minor | 7 | 11A | 171 BPM | ||
| Benefits of Lying (With Your Friend) | The Apples In Stereo | D Major | 5 | 10B | 97 BPM | ||
| Fuck You Till I'm Dead | Family Fodder | B Minor | 7 | 10A | 94 BPM | ||
| Music For Evenings | Young Marble Giants | F Minor | 5 | 4A | 149 BPM | ||
| Idiot Us | The Scary Jokes | D♭ Minor | 6 | 12A | 178 BPM | ||
| Our Hospitality | Komeda | D Minor | 9 | 7A | 145 BPM | ||
| Another Monster | Laetitia Sadier | E Minor | 7 | 9A | 175 BPM | ||
| The Machine in Your Hand | The Magnetic Fields | F♯ Major | 3 | 2B | 125 BPM | ||
| Creepshow | sapphxre | A Major | 8 | 11B | 110 BPM | ||
| Nothing Came Out | The Moldy Peaches | A Minor | 3 | 8A | 77 BPM |