"A Call from the Vatican" by Alice Ripley had its release date on April 8, 2003. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Maury Yeston Songbook". In this album, this song's track order is #7. A Call from the Vatican is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Call from the Vatican by Alice Ripley having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Großmutters Liebesbriefe | Pia Douwes, Maury Yeston, Wolfgang Adenberg, Marina Komissartchik | C Major | 1 | 8B | 84 BPM | ||
| In the Classroom | Maury Yeston, San Francisco Ballet Orchestra | A Major | 4 | 11B | 142 BPM | ||
| Believe | Douglas Sills | G Major | 3 | 9B | 93 BPM | ||
| Not Since Chaplin | Maury Yeston, Nine Company | A Minor | 4 | 8A | 107 BPM | ||
| Kiss Me, Kate | Broadway Cast Recording | D♭ Major | 2 | 3B | 82 BPM | ||
| What Kind of Girl Is She? | Heidi Blickenstaff, Susan Blackwell | B Major | 1 | 1B | 131 BPM | ||
| I've Come To Wive It Wealthily In Padua | Broadway Cast Recording | B♭ Major | 5 | 6B | 109 BPM | ||
| Can’t Help Lovin’ Dat Man | Lonette McKee, Gretha Boston, Michel Bell | A♭ Major | 2 | 4B | 123 BPM | ||
| Penny in My Pocket | David Hyde Pierce | G Major | 5 | 9B | 150 BPM | ||
| She Is Not Thinking Of Me | Corey Cott | F♯ Major | 3 | 2B | 98 BPM | ||
| The Man I Love | Leanne Cope | A♭ Minor | 1 | 1A | 81 BPM | ||
| Where Do I Go? | Gavin Creel, 'Hair' Tribe | D Major | 6 | 10B | 178 BPM | ||
| The Show Biz | Jim Corti, Lynnette Perry | D Major | 2 | 10B | 92 BPM | ||
| I'm The Bravest Individual | Christina Applegate, Denis O'Hare | G Major | 3 | 9B | 169 BPM | ||
| So Anyway - 2024 Remix & Remaster | Alice Ripley | A Major | 1 | 11B | 86 BPM | ||
| Requiem for Doc | Maury Yeston, San Francisco Ballet Orchestra | A Major | 4 | 11B | 142 BPM | ||
| That'll Show Him | Preshy Marker | C Major | 2 | 8B | 125 BPM | ||
| As We Stumble Along | Beth Leavel, 'The Drowsy Chaperone' Original Broadway Cast | B♭ Major | 3 | 6B | 118 BPM | ||
| My Mother's Weddin' Day | Stephanie J. Block, 'Brigadoon' 2017 New York City Center Ensemble | C Major | 5 | 8B | 118 BPM | ||
| Goodbye Until Tomorrow / I Could Never Rescue You | Sherie Rene Scott, Norbert Leo Butz | F Major | 3 | 7B | 117 BPM | ||
| Been A Long Day | Mary Faber, Rose Hemingway, Daniel Radcliffe | E♭ Major | 2 | 5B | 128 BPM | ||
| Two Men In My Life | Kate Baldwin | D Major | 3 | 10B | 180 BPM | ||
| You Are My Home | Christine Andreas | B Major | 3 | 1B | 89 BPM | ||
| Extraordinary | Matthew James Thomas | D Minor | 6 | 7A | 146 BPM | ||
| Six Months Out Of Every Year | Richard Adler, Jerry Ross, "Damn Yankees" 1994 Broadway Cast, David Chase | C Major | 5 | 8B | 146 BPM |