"Too Many Mornings" by Imelda Staunton, Philip Quast had its release date on January 18, 2019. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 20 in Follies (2018 National Theatre Cast Recording) by Stephen Sondheim. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Too Many Mornings is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Too Many Mornings by Imelda Staunton, Philip Quast is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tom, Dick Or Harry | Broadway Cast Recording | C Minor | 4 | 5A | 115 BPM | ||
| It's A Business | The Original Broadway Cast Of 'Curtains' | F Minor | 3 | 4A | 106 BPM | ||
| Single Man Drought | Jimmy Roberts, Joe DiPietro | B♭ Major | 3 | 6B | 67 BPM | ||
| Adelaide's Lament | Marisha Wallace, Frank Loesser | C Major | 3 | 8B | 88 BPM | ||
| Model Behavior | Laura Benanti | A♭ Major | 6 | 4B | 90 BPM | ||
| The Movie In My Mind - Live | Miss Saigon Original Cast, Rachelle Ann Go, Eva Noblezada | A Minor | 1 | 8A | 85 BPM | ||
| Heart To Hart | Kathy Fitzgerald and Ensemble | E Major | 3 | 12B | 83 BPM | ||
| Psalm 24 / Be Thou My Vision | The Good Book, Imelda Staunton | D Major | 4 | 10B | 140 BPM | ||
| All Through the Night | Colin Donnell, Laura Osnes, Ward Billeisen, Josh Franklin, Daniel J. Edwards, William Ryall | B♭ Major | 3 | 6B | 106 BPM | ||
| Matchmaker | Melanie Moore, Alexandra Silber, Samantha Massell | E Major | 3 | 12B | 126 BPM | ||
| I'm Breaking Down | Stephanie J. Block | A Major | 4 | 11B | 141 BPM | ||
| I'm Going Home | Tom Hewitt, The Rocky Horror Show Ensemble (2000) | F Major | 4 | 7B | 63 BPM | ||
| An Irish Airman Foresees His Death By W.B. Yeats | Show Of Hands, Imelda Staunton | D Major | 2 | 10B | 96 BPM | ||
| Evil | Rosemary Ashe | A Minor | 3 | 8A | 112 BPM | ||
| Sweet Charity: I Love to Cry at Weddings | Cy Coleman, John Wheeler, Michael Davis, Helen Gallagher, Thelma Oliver, Sweet Charity Ensemble, Sweet Charity Original Broadway Cast, Fred Werner | G Major | 2 | 9B | 114 BPM | ||
| The Tale of Squirrel Nutkin: XIV. I'm a Red Squirrel | Stephen McNeff, Clark Rundell, BBC Concert Orchestra, Imelda Staunton | G Major | 2 | 9B | 112 BPM | ||
| The Carnival: How Glory Goes | Adam Guettel | B♭ Major | 2 | 6B | 171 BPM | ||
| I'm The Bravest Individual | Christina Applegate, Denis O'Hare | G Major | 3 | 9B | 169 BPM | ||
| Playing Nancy | Rebecca Faulkenberry, Tim Minchin | D Major | 3 | 10B | 71 BPM | ||
| Who's That Woman? | Dawn Hope, Imelda Staunton, Janie Dee, Tracie Bennett, Julie Armstrong, Follies Female Ensemble, Liz Izen, Gemma Page | A Major | 5 | 11B | 166 BPM | ||
| Sit Down, You're Rocking the Boat | Cedric Neal, Guys & Dolls Ensemble, Frank Loesser | C Major | 3 | 8B | 88 BPM | ||
| And Eve Was Weak | Marin Mazzie, Molly Ranson | F Minor | 7 | 4A | 83 BPM | ||
| Holding to the Ground | Stephanie J. Block | B Major | 3 | 1B | 81 BPM | ||
| Outside of That, I Love You | Vivien Parry, Martin Ball | D♭ Minor | 5 | 12A | 194 BPM | ||
| With You on My Are | Kelsey Grammer, Douglas Hodge | D Minor | 3 | 7A | 145 BPM |