"アダージョ" by J. マルチェロ, J.S. バッハ, 藤森亮一(チェロ), カール=アンドレアス・コリー(ピアノ) had its release date on October 23, 2000. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ラルゴ ~チェロ作品集~, so we believe that "アダージョ" is a single. アダージョ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of アダージョ by J. マルチェロ, J.S. バッハ, 藤森亮一(チェロ), カール=アンドレアス・コリー(ピアノ) is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Armenian Song | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | B♭ Minor | 0 | 3A | 77 BPM | ||
| Song Without Words, Op. 60: I. Andante espressivo "May Breezes" (Arr. Kreisler) | Felix Mendelssohn, Fritz Kreisler, Mela Tenenbaum, Richard Kapp | B♭ Major | 1 | 6B | 123 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 0 | 6B | 78 BPM | ||
| Sonata in G Minor: III. Adagio | Henry Eccles, Takako Nishizaki, Terence Dennis | G Minor | 1 | 6A | 169 BPM | ||
| 夢のあとに Op.7-1(フォーレ) | Gabriel Fauré, Yoko Hasegawa | F Minor | 1 | 4A | 88 BPM | ||
| 4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Harriet Krijgh, Magda Amara | G Major | 0 | 9B | 175 BPM | ||
| Rachmaninov: Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Alexander Kniazev | A Minor | 0 | 8A | 91 BPM | ||
| Reflections (Arr. for Cello & Piano by Julian Riem) | Toshifumi Hinata, Raphaela Gromes, Julian Riem | A Minor | 0 | 8A | 91 BPM | ||
| Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Maria João Pires, Pavel Gomziakov | D♭ Minor | 0 | 12A | 68 BPM | ||
| Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | ||
| Sonate for Violin and Piano in a Major for Cello | César Frank | F♯ Minor | 0 | 11A | 85 BPM | ||
| Fantasiestücke | Robert Schumann, Christian-Pierre La Marca, Jean-Frédéric Neuburger | A Minor | 0 | 8A | 88 BPM | ||
| 3 Romances For Violin And Piano, Op. 22: 1. Andante molto | Clara Schumann, Clara Jumi Kang, Yeol Eum Son | F Major | 1 | 7B | 150 BPM | ||
| Péchés de vieillesse, Album IX, No. 10: Une larme - Thème et variations - Single Edit | Gioachino Rossini, Sol Gabetta, Irina Zahharenkova | A Minor | 2 | 8A | 155 BPM | ||
| Efem | Cihat Aşkın, Mehru Ensari | D Major | 2 | 10B | 132 BPM | ||
| Gymnopédie No. 1 (Arr. C. Thomas for Cello and Piano) | Erik Satie, Camille Thomas, Julien Brocal | C Major | 0 | 8B | 173 BPM | ||
| Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) | Edward Elgar, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 83 BPM | ||
| Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | G Minor | 1 | 6A | 123 BPM | ||
| Dichterliebe, Op. 48, Arr. for Cello and Piano: XII. Am leuchtenden Sommermorgen | Robert Schumann, Jan Vogler, Hélène Grimaud | A Major | 0 | 11B | 82 BPM | ||
| 3 Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Koji Morishita | D♭ Major | 1 | 3B | 131 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Akiko Suwanai, Phillip Moll | A Major | 1 | 11B | 125 BPM | ||
| Nocturne No. 20 in C-Sharp Minor, Op. Posth. (Arr. N. Milstein) | Frédéric Chopin, Elissa Lee Koljonen, Robert Koenig | C Major | 3 | 8B | 100 BPM | ||
| 3 Pieces, Op. 40 (Version for Cello & Piano): No. 2, Berceuse | Amy Beach, Juliana Soltis, Ruoting Li | D Major | 0 | 10B | 136 BPM | ||
| Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | ||
| Berceuse, Op. 16 (Arr. for Cello and Piano) | Gabriel Fauré, Christian-Pierre La Marca, Lise de la Salle | D Major | 0 | 10B | 171 BPM |