Milt Jackson's ' "I Love You" was released on its scheduled release date, January 1, 1964. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Milt Jackson's "Jazz 'N' Samba" album is number 7 out of 9. In terms of popularity, I Love You is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of I Love You by Milt Jackson to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Not A Tear | Wynton Kelly Trio | F Minor | 3 | 4A | 128 BPM | ||
| Morning Song | Randy Brecker | D Major | 3 | 10B | 89 BPM | ||
| I've Grown Accustomed To Her Face | Cal Tjader, Stan Getz | C Major | 1 | 8B | 67 BPM | ||
| Detour | Bill Le Sage | A♭ Major | 2 | 4B | 121 BPM | ||
| But Not For Me | Red Garland, Paul Chambers, Art Taylor | B♭ Minor | 2 | 3A | 80 BPM | ||
| April In Paris - 2007 Remaster/Rudy Van Gelder Edition | Thad Jones | C Major | 2 | 8B | 112 BPM | ||
| Soul Eyes | John Coltrane Quartet | F Minor | 3 | 4A | 78 BPM | ||
| Beatrice | Sam Rivers | F Major | 1 | 7B | 120 BPM | ||
| You Better Go Now | Red Garland Trio | C Minor | 2 | 5A | 104 BPM | ||
| Someone To Watch Over Me - Alternate Take | Rahsaan Roland Kirk | B♭ Major | 0 | 6B | 117 BPM | ||
| Candle | Bobby Hutcherson | D♭ Major | 1 | 3B | 92 BPM | ||
| Golden Earrings | Ray Bryant Trio | A♭ Major | 2 | 4B | 136 BPM | ||
| My Heart Stood Still | Nat Adderley | F Major | 1 | 7B | 135 BPM | ||
| Escapade | Wynton Kelly Trio | B♭ Minor | 5 | 3A | 92 BPM | ||
| It's All Right | Wynton Kelly Trio | C Major | 3 | 8B | 116 BPM | ||
| Fall Out | Gerry Mulligan, Paul Desmond Quartet | A♭ Major | 2 | 4B | 96 BPM | ||
| Stonewall | Milt Jackson | A♭ Major | 3 | 4B | 92 BPM | ||
| A Sinner Kissed an Angel | Bud Shank, Bill Perkins | F Minor | 1 | 4A | 122 BPM | ||
| Afternoon in Paris | Phineas Newborn Jr. | A♭ Major | 2 | 4B | 118 BPM | ||
| The Fall Of Love | Wynton Kelly Trio | A♭ Minor | 5 | 1A | 110 BPM | ||
| Little Girl Blue | John Lewis | E♭ Major | 1 | 5B | 109 BPM | ||
| Cherry (with Milt Jackson) | Stanley Turrentine, Milt Jackson | F Minor | 1 | 4A | 69 BPM | ||
| Dinah | Bud Shank, Bob Cooper | C Minor | 3 | 5A | 200 BPM | ||
| These Foolish Things | Jutta Hipp, Zoot Sims | E♭ Major | 2 | 5B | 64 BPM | ||
| Spanish Bay | Bill Edmonds Trio | G Major | 2 | 9B | 90 BPM |