On May 21, 1987, the song "Phool Fatra Haye Shuwa Joon Laege" was released by Heera Singh Rana. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rangili Bindi". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Phool Fatra Haye Shuwa Joon Laege's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Phool Fatra Haye Shuwa Joon Laege by Heera Singh Rana having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zompuye | Diwan Siwan | A Minor | 7 | 8A | 100 BPM | ||
| Saat Janam Saat Vachan | B.K. Samant | D♭ Major | 5 | 3B | 81 BPM | ||
| Chhori 420 | Gajendra Rana | B Major | 9 | 1B | 140 BPM | ||
| Lekhnya Founteen | Satyendra Gangola | A♭ Major | 8 | 4B | 110 BPM | ||
| Jaipuriya Saree ( Feat. Inder Arya, Maya Upadhyay ) | Inder Arya, Maya Upadhyay, Shweta Mahara, Akash Negi | A♭ Major | 9 | 4B | 120 BPM | ||
| Sunita Syali | Gajendra Rana, Meena Rana | B♭ Minor | 7 | 3A | 79 BPM | ||
| Semanya Bouji | Kishan Mahipal | F Minor | 9 | 4A | 108 BPM | ||
| BASANTI CHHYODI | Pappu Karki | A♭ Minor | 7 | 1A | 110 BPM | ||
| Hum Kushal Chan | Preetam Bhartwan | F Minor | 8 | 4A | 91 BPM | ||
| Meri O Pahadan | Lalit Gityar, Kamal Joshi | A Major | 8 | 11B | 124 BPM | ||
| Uttarakhand Tribute to Girda (Pandavaas) | Pandavaas | A♭ Minor | 7 | 1A | 200 BPM | ||
| Harsila Ka Syo | Kailash Malhotra, Sangeeta Raj Arya | C Minor | 9 | 5A | 170 BPM | ||
| Eja Re Chet Beshakh Mero Munsyara - Kumaoni | Pappu Karki | D♭ Major | 9 | 3B | 81 BPM | ||
| Aankhyun Ka Baan | Meena Rana, Anurag Kant | B♭ Minor | 8 | 3A | 112 BPM | ||
| Master Ji Mashakbeen | Kishan Mahipal, Aditya Singh, Kishan Mahipal Aditya Singh | A Major | 5 | 11B | 80 BPM | ||
| Nachrat | DEEPAK CHAMOLI OFFICIAL | A Major | 8 | 11B | 95 BPM | ||
| Nanda Bhawani | Darshan Farswan, Vivek Nautiyal | F♯ Major | 9 | 2B | 200 BPM | ||
| Neelima - Pahadi | Saurav Maithani, Poonam Sati | B♭ Minor | 10 | 3A | 108 BPM | ||
| Rupai Ki Rajula | Diksha Dhoundiyal, Vijay Prakash | A♭ Major | 8 | 4B | 106 BPM | ||
| Roadways | Young Uttarakhand Group |Pannu Gusain & Aarti Tamta | Manoj Arya | D♭ Major | 5 | 3B | 142 BPM | ||
| Samlodya Mundadi - Gadwali | Gajender Rana, Meena Rana | D♭ Major | 9 | 3B | 98 BPM | ||
| Udi Ja Panchhi | Fauji Lalit Mohan Joshi | D Major | 8 | 10B | 82 BPM | ||
| Ghagri ku Gheru | Rohit Chauhan, Harshu Bisht, Aisha | E Major | 8 | 12B | 107 BPM | ||
| Ranikhet Ki Baand Neeru | Lalit Mohan Joshi | F♯ Minor | 7 | 11A | 104 BPM | ||
| Jai Bolya Devta | Geetaram Kanswal | D♭ Major | 8 | 3B | 57 BPM |