- BPM
- 109
- Key
- B Major
- Camelot
- 1B
O Sacred Head, Now Wounded (Harmonized by J.S. Bach) [Arr. C. Surrick for Lute & Viola da gamba] by Hans Leo Hassler, Ronn McFarlane, Carolyn Surrick Song Details
Hans Leo Hassler, Ronn McFarlane, Carolyn Surrick's 'O Sacred Head, Now Wounded (Harmonized by J.S. Bach) [Arr. C. Surrick for Lute & Viola da gamba]' had a release date set for November 20, 2020. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. O Sacred Head, Now Wounded (Harmonized by J.S. Bach) [Arr. C. Surrick for Lute & Viola da gamba]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 15 in Fermi's Paradox by Ronn McFarlane, Carolyn Surrick, Jackie Moran. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, O Sacred Head, Now Wounded (Harmonized by J.S. Bach) [Arr. C. Surrick for Lute & Viola da gamba] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of O Sacred Head, Now Wounded (Harmonized by J.S. Bach) [Arr. C. Surrick for Lute & Viola da gamba] by Hans Leo Hassler, Ronn McFarlane, Carolyn Surrick is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 17%
- Loudness
- -21.993 dB
- Acousticness
- 94%
- Danceability
- 37%
- Energy
- 5%
- Instrumentalness
- 84%
- Liveness
- 11%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 25%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Viola da Gamba Suite in D Major: VI. Adagio | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 1 | 3B | 94 BPM | |
 | Li 5 libri della chitarra alla spagnola: Aria di fiorenza | Giovanni Paolo Foscarini, Private Musicke, Pierre Pitzl | A Minor | 1 | 8A | 93 BPM | |
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 | Canzona ottava a basso solo "detta l’ambitiosa" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Minor | 2 | 6A | 127 BPM | |
 | The Mad Lover Suite: Ground. Aire III | John Eccles, Théotime Langlois de Swarte, Thomas Dunford | E Major | 0 | 12B | 127 BPM | |
 | Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | |
 | Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM | |
 | Dowland: Frog Galliard, P. 23 | John Dowland, Jupiter, Thomas Dunford | F♯ Major | 1 | 2B | 77 BPM | |
 | Cello Concerto in E-Flat Major, RV 408: II. Largo | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | |
 | Suite in G Minor: IV. Muzette | Michel Richard Delalande, Vincent Dumestre, Le Poème Harmonique | F Minor | 2 | 4A | 87 BPM | |
 | Ciaconna | Silvius Leopold Weiss, Ronn McFarlane | D♭ Minor | 1 | 12A | 172 BPM | |
 | Grays Inn - My Lord Willoughby's Welcome Home, P. 66 | John Adson, John Dowland, Mindy Rosenfeld, Ronn McFarlane | C Major | 1 | 8B | 180 BPM | |
 | Danze da Nuova e curiosa scuola de' balli teatrali (Arr. for Duo and Trio by T. Langlois de Swarte & O. Fourés): Puricinella e Simona | Gregorio Lambranzi, Théotime Langlois de Swarte, Le Consort | E♭ Major | 0 | 5B | 94 BPM | |
 | Pièces à une et deux violes, Premier Livre, Suite in G Minor: Allemande | Marin Marais, Lucile Boulanger | F♯ Minor | 0 | 11A | 47 BPM | |
 | Planxty O'Rourke, 2nd Air (Arr. for Lute & Viola da gamba) | Turlough O'Carolan, Ronn McFarlane, Carolyn Surrick | B Major | 0 | 1B | 97 BPM | |
| Gymnopedie 3 | Erik Satie, Ronn McFarlane, Carolyn Surrick | B Major | 1 | 1B | 66 BPM | |
 | The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | |
 | Gaspar Sanz: Canarios - For Baroque Guitar and Colascione | Gaspar Sanz, Andreas Nachtsheim, Klaus Mader | D♭ Major | 1 | 3B | 173 BPM | |
 | Folia. Recercada 8ª | Diego Ortiz, La Reverencia | C Major | 4 | 8B | 126 BPM | |
 | Balletto N. 2 En Sol Mayor - Ii. Allemanda (Giacomo Facco) | Grupo de musica barroca La Folia/Pedro Bonet | F♯ Major | 1 | 2B | 84 BPM | |
 | Dump No. 1 | John Johnson, Ronn McFarlane, William Simms | C Major | 2 | 8B | 107 BPM |
- ISRC
- USKC62024411
- Label
- L-M Records/RCA Records