On November 28, 2012, the song "Majhya Bhimachya Navavar" was released by Milind Shinde. This song is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 4 out of 12 in Ban Sevak Samajacha by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Majhya Bhimachya Navavar is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Majhya Bhimachya Navavar by Milind Shinde is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhimrayavani Pudhari Hoil Ka | Milind Shinde | A♭ Major | 5 | 4B | 94 BPM | ||
| Aai Tuze Palkhila | Kalpesh Bhopi, Sonali Bhoir, Vivek Patil | C Major | 5 | 8B | 83 BPM | ||
| Sat Ke Suta | Pawan Singh | F♯ Minor | 6 | 11A | 99 BPM | ||
| Allahabadi Chhatka | Kalpana Patowary | A Major | 9 | 11B | 120 BPM | ||
| Buddh Mhanale Etuke | Milind Shinde | A♭ Major | 6 | 4B | 145 BPM | ||
| Bal Bheemacha Paalna | Milind Shinde | B Minor | 4 | 10A | 77 BPM | ||
| Admapur He Zhalay Pawan | Vijay Sartape | E♭ Minor | 5 | 2A | 107 BPM | ||
| Adma Ga Purala Pahu Balu Ga Mamala | Vijay Sartape | F♯ Major | 7 | 2B | 202 BPM | ||
| Amba Haste | Sakhrabai Tekale, Gajrabai Bumbhe | A Major | 7 | 11B | 139 BPM | ||
| Themba Thembana Kelai Mala Gaar | Surekha Punekar | F♯ Major | 8 | 2B | 95 BPM | ||
| Bhim Aavdin Bole Ramu Ramu Ramaila | Milind Shinde | B♭ Minor | 8 | 3A | 94 BPM | ||
| Sai Bhajan - Sai Leela Ghadlaya Shirdit | Mangesh Shirke | A♭ Major | 8 | 4B | 85 BPM | ||
| Chaitra Poornima Somvatila | Adarsh Shinde | A♭ Major | 9 | 4B | 160 BPM | ||
| Balumama Rakhi Mendhar | Balasaheb Bhagat, Jagdish Gorse, Vithal Shinde, Rahul Shinde, Santosh Nayak, Makrand Sardeshmukh | F♯ Minor | 5 | 11A | 125 BPM | ||
| Kunya Gavach Aala Pakharu | Vijay Sartape | B Minor | 7 | 10A | 102 BPM | ||
| Sheranwali Jay Bol Ke | Pawan Singh | A Minor | 9 | 8A | 165 BPM | ||
| Chal Ho Shahna (Shaktiwale Gaulan) | Prakash Pajane, Madhukar Yadav | D♭ Minor | 9 | 12A | 84 BPM | ||
| Bhaktansathi To Jagjethi | Prahlad Shinde | F♯ Major | 10 | 2B | 100 BPM | ||
| Bhimacha Gana Dj La Vajata | Sajan, Vishal | F♯ Major | 10 | 2B | 123 BPM | ||
| Dhanya Ramai | Milind Shinde | F♯ Major | 6 | 2B | 156 BPM | ||
| Badshahitalya Tya Mukutatla | Milind Shinde | G Major | 4 | 9B | 87 BPM | ||
| Maiya He Suniyau Hamro Bipatiya | Dilip Darbhangiya | E Major | 7 | 12B | 190 BPM | ||
| Manat Bhakti Ganeshachi | Sudesh Bhosle | G Major | 9 | 9B | 101 BPM | ||
| Papa Mala Dyal Ka Parvangi | Reshma Sonavne | A Major | 8 | 11B | 80 BPM | ||
| Love Karava Vattay | Bhau Kadam, Sanchita Banerjee | B♭ Minor | 9 | 3A | 90 BPM |