Rekha Rao's ' "Mere Soye Bhagya Jagaao" was released on its scheduled release date, April 19, 2005. This song is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in Debashish Dasgupta, Bela Sulakhe's "Mangal Daata Mangalkari Hanumat Tum Ho Shiv Bhavtaari" album is number 8 out of 9. On top of that, India appears to be the country where this track was created. Mere Soye Bhagya Jagaao is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mere Soye Bhagya Jagaao by Rekha Rao to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dal Baadli Ro Paani | Rekha Rao, Parmeshwar Premi | D♭ Minor | 9 | 12A | 164 BPM | ||
| Dharti Hai Pyari | Mohammed Aziz, Poornima, Bali Brahmbhatt, Jaideep, Preet Nihal | A Minor | 3 | 8A | 176 BPM | ||
| Aaya Hoon Badi Door Se - Jhankar | Vipin Sachdeva | C Major | 8 | 8B | 125 BPM | ||
| Aaj Kal Ke Turi - Chhattisgarhi Song | Gorelal Barman, Ratan Sabiha | C Minor | 10 | 5A | 133 BPM | ||
| Yaar Mera Chikna Ghada | Asha Bhosle, Purnima, Suresh Wadkar, Laxmikant–Pyarelal | D Major | 7 | 10B | 144 BPM | ||
| Chanda Baadal Mein Chhup Jaye | Rekha Rao, Parmeshwar Premi | D♭ Major | 7 | 3B | 84 BPM | ||
| jhing jhong gadha me selem dubay dele | Nagpuri Masti | A Minor | 10 | 8A | 148 BPM | ||
| Pallo Latke | Kumar Vishu, Rekha Rao, Sangeeta, Renuka | C Major | 8 | 8B | 115 BPM | ||
| Chham Chham Baaje Ghunghroo | Tej Karan Rao, Rekha Rao | D♭ Minor | 6 | 12A | 94 BPM | ||
| Aao Ji Aao | Amit Kumar, Anupam Kher | F♯ Major | 4 | 2B | 102 BPM | ||
| Sangmarmar Sa Tha | Suresh Wadkar | G Major | 5 | 9B | 136 BPM | ||
| Ambe Ki Mahima | Sahid, Rekha Rao | B Major | 9 | 1B | 110 BPM | ||
| Bala Ji Bhakto Ko Pyara Hai | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | F♯ Minor | 5 | 11A | 95 BPM | ||
| Thag Harva Re Kahe | Jaspal Singh, Deepmala | F♯ Major | 9 | 2B | 154 BPM | ||
| Tere Bina Zindagi Se | Babul Supriyo, Sadhana Sargam | D♭ Minor | 5 | 12A | 94 BPM | ||
| Raat Teen Baje | Bali Brahmbhatt, Sapna Mukherjee | B♭ Minor | 10 | 3A | 111 BPM | ||
| Hivde Su Dur Mat Jay | Raj Menaria, Rekha Rao | D♭ Major | 7 | 3B | 105 BPM | ||
| Tai Aakas Ke Ban Ja Suruj | Mamta Chandrakar, Mithalesh, Kuleshwar Patel | F Major | 7 | 7B | 97 BPM | ||
| Yeh Gathri Taj Ki Tarah - Female Vocals | Kavita Krishnamurthy | F Major | 8 | 7B | 83 BPM | ||
| Samandar Ko Bandhe | Nana Patekar, Rijju Bajaj, Vinod Rathod, Milind Ingle | F Major | 6 | 7B | 104 BPM | ||
| Saiya Chusani Chusata | Rekha Rao | D♭ Minor | 10 | 12A | 170 BPM | ||
| Main Ek Chor Tu Meri Rani | Babul Supriyo, Sadhana Sargam | D♭ Major | 6 | 3B | 98 BPM | ||
| Pallo Latke | Rekha Rao, Tejkaran Rao | A♭ Major | 8 | 4B | 104 BPM | ||
| Main Aashiq Hun | Jolly Mukherjee, Kavita Krishnamurthy | G Major | 7 | 9B | 134 BPM | ||
| Kismat Roothi Duniya Chhooti | Nitin Mukesh, Sadhana Sargam | D Minor | 9 | 7A | 112 BPM |