Matthew Locke, Julie Hassler, La Rêveuse, Benjamin Perrot's 'The Tempest Suite: I. Introduction' had a release date set for August 18, 2017. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in La Rêveuse, Benjamin Perrot's "La Rêveuse" album is number 1 out of 25. On top of that, United States appears to be the country where this track was created. The Tempest Suite: I. Introduction is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Tempest Suite: I. Introduction by Matthew Locke, Julie Hassler, La Rêveuse, Benjamin Perrot to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite II In D Minor - Saraband | Jordi Savall, Matthew Locke | D♭ Major | 1 | 3B | 95 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
| Ouverture in E Minor: III. Menuets I & II | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 1 | 7B | 179 BPM | ||
| Suite Premiere -Viii. Chaconne (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Minor | 2 | 2A | 68 BPM | ||
| Locke: Suite No. 4 in C Major (from "Duos for Two Bass Viols"): II. Fantasy | Matthew Locke, Fretwork | B Major | 0 | 1B | 176 BPM | ||
| Les Indes Galantes - Chaconne | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | D♭ Major | 2 | 3B | 119 BPM | ||
| Concerto in D Major, Op. 6 No. 6: I. Largo | Charles Avison, Café Zimmermann | D♭ Major | 1 | 3B | 108 BPM | ||
| The Broken Consort I, Suite No. 2 in G Major: I. Fantazie | Matthew Locke, Tripla Concordia | F♯ Major | 1 | 2B | 122 BPM | ||
| Suite II In D Minor - Fantazie | Jordi Savall, Matthew Locke | D♭ Major | 1 | 3B | 112 BPM | ||
| Suite de piece No. 1 in E Minor, Op. 11: I. Prelude. Lentement | Joseph Bodin de Boismortier, Mindy Rosenfeld, Ronn McFarlane | E♭ Minor | 0 | 2A | 81 BPM | ||
| Fantasy I | John Jenkins, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 1 | 12A | 110 BPM | ||
| Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM | ||
| Te Deum, H. 146: IV. Per te orbem terrarum | Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 180 BPM | ||
| Sonate pour le violon et le clavecin in D Minor: II. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Major | 0 | 3B | 138 BPM | ||
| Suite in G Minor: I. Sarabande | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: II. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
| Concerto In A Major TWV 54:A1, For 4 Violins, Strings And Basso Continuo: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 3 | 4B | 120 BPM | ||
| Concert XXVII: Bourrasque - Balet | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | E Major | 1 | 12B | 121 BPM | ||
| Sonata da camera, Op. 2 No. 11: I. Preludio | Antonio Caldara, Amandine Beyer, Leila Schayegh, Matthias Spaeter, Jonathan Pesek, Jörg-Andreas Bötticher | E♭ Minor | 1 | 2A | 117 BPM | ||
| Little Consort in Two Parts for Severall Friends in C minor-major: II. Pavan | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
| Concerto for Recorder and Flute in E Minor, TWV 52:e1: Largo | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Müller-Brühl | F Major | 1 | 7B | 129 BPM | ||
| Music for The Tempest: IV. Saraband | Matthew Locke, Jordi Savall, Le Concert Des Nations | F♯ Minor | 1 | 11A | 141 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM |