Tafelmusik Baroque Orchestra's 'Burlesque de Don Quixotte - Ouverture' had a release date set for 1999. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Orchestral Suites (Telemann): Alster; Burlesque de Don Quixotte; La Bourse". In this album, this song's track order is #10. In terms of popularity, Burlesque de Don Quixotte - Ouverture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Burlesque de Don Quixotte - Ouverture by Tafelmusik Baroque Orchestra having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto No 3 in B minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B♭ Minor | 3 | 3A | 132 BPM | ||
| Locatelli : Concerto grosso in E flat major Op.4 No.10 : I Adagio | Pietro Locatelli, Concerto Köln | F♯ Minor | 2 | 11A | 139 BPM | ||
| Conclusion in B flat major / Si bémol majeur / B-dur: Allegro - Adagio - Allegro | Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester | A Major | 3 | 11B | 135 BPM | ||
| Concerto Grosso in G Minor, Op. 1, No. 12: II. Allemanda | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 133 BPM | ||
| Symphony in C Major, Op. 2 No. 3 "The Chaplet": II. Vivace | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 3 | 8A | 115 BPM | ||
| 6 Sonates en symphonies, Op. 3, Sonata No. 1: II. Aria. Gratioso e poco piano | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Major | 0 | 2B | 111 BPM | ||
| Symphony in G Major, Eisen G17: II. Andante | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 1 | 6B | 173 BPM | ||
| Symphony No. 82 in E Minor: II. Fuga non troppo presto | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 1 | 2B | 170 BPM | ||
| Mozart: Divertimento No. 11 in D Major, K. 251: V. Rondeau. Allegro assai | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Major | 1 | 3B | 124 BPM | ||
| King Arthur, or The British Worthy, Z.628: First Music: Chaconne | Henry Purcell, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 84 BPM | ||
| Concerto Decimo Con L'Eco, B Dur: II. Larghetto | Alessandro Marcello, Venice Baroque Orchestra | E Major | 0 | 12B | 85 BPM | ||
| Concerto a cinque No. 5, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A♭ Minor | 1 | 1A | 97 BPM | ||
| L'Histoire de la femme adultère, C. 191: Simphonie | Louis-Nicolas Clérambault, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 0 | 4A | 117 BPM | ||
| Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
| Part II. Overture in D major: IV. Air: Presto | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | D♭ Major | 2 | 3B | 109 BPM | ||
| Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre | Tafelmusik Baroque Orchestra | D♭ Major | 3 | 3B | 151 BPM | ||
| Concerto for Oboe d'amore, Strings and Continuo in A: 3. Allegro | Antonio Lotti, Heinz Holliger, I Musici | A Major | 1 | 11B | 108 BPM | ||
| Concerto for Cello & Bassoon in E Minor, RV 409 | Antonio Vivaldi, Anner Bylsma, Michael McCraw, Tafelmusik Baroque Orchestra, Jeanne Lamon, Charlotte Nediger | B Major | 2 | 1B | 173 BPM | ||
| Sinfonia in C Major: III. Allegro | Antonio Caldara, Collegium 1704, Vaclav Luks | D Major | 1 | 10B | 93 BPM | ||
| Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": II. Largo Andante | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 70 BPM | ||
| Concerto for Flute and Oboe in G Major, FWV L:G8: III. Allegro | Johann Friedrich Fasch, Gunther Holler, Helmut Hucke, Cappella Coloniensis, Hans-Martin Linde | E♭ Minor | 2 | 2A | 127 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
| Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
| Concerto No 11 in B flat major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A Major | 2 | 11B | 147 BPM | ||
| Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM |