Valve's 'Military Precision' had a release date set for March 10, 1998. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Valve's "Half-Life" album is number 21 out of 27. In terms of popularity, Military Precision is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Military Precision by Valve to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nemesis' Theme | Masami Ueda | D Major | 1 | 10B | 111 BPM | ||
| Knock Knock | Scattle | F Minor | 8 | 4A | 110 BPM | ||
| Time Window | Starbreeze Entertainment, Simon Viklund | D♭ Major | 5 | 3B | 131 BPM | ||
| Impasta Syndrome | Mr. Sauceman | C Minor | 9 | 5A | 132 BPM | ||
| Sacrificial | Danny Baranowsky | E Minor | 5 | 9A | 166 BPM | ||
| Dogfight | Jack Wall | D Major | 7 | 10B | 123 BPM | ||
| Load Up | Brandon McKagan | D♭ Major | 4 | 3B | 100 BPM | ||
| Tick Tock | Starbreeze Entertainment, Simon Viklund | D♭ Major | 9 | 3B | 129 BPM | ||
| The Deep Dive | Sophus Alf, Troels Rohde Jørgensen | D Major | 7 | 10B | 170 BPM | ||
| Resynthesis | Sam Hulick | A Minor | 4 | 8A | 120 BPM | ||
| In Bloom | Simon Chylinski | C Minor | 1 | 5A | 82 BPM | ||
| a big open area with big shiny equipment | KAESUL | B♭ Minor | 6 | 3A | 115 BPM | ||
| Diabolical Adrenaline Guitar | Valve | C Major | 9 | 8B | 130 BPM | ||
| The Calm | Valve Studio Orchestra | G Minor | 5 | 6A | 100 BPM | ||
| Into the Fire | Heaven Pierce Her | A Minor | 6 | 8A | 160 BPM | ||
| Inbound Part 1 | Joel Nielsen | D♭ Major | 4 | 3B | 87 BPM | ||
| Confrontation | Spencer Baggett | D♭ Major | 9 | 3B | 120 BPM | ||
| Escalation, Pt. 1 | Spencer Baggett | A♭ Major | 7 | 4B | 156 BPM | ||
| Creeping | Michael Wyckoff | B♭ Minor | 2 | 3A | 200 BPM | ||
| Devastation | Alexey Omelchuk | A♭ Major | 5 | 4B | 80 BPM | ||
| Opera de Ossium (Synth) [feat. Hadrian McQuaig] | Michael Wyckoff, Hadrian McQuaig | E♭ Major | 3 | 5B | 102 BPM | ||
| They're Here! | Sophus Alf, Troels Rohde Jørgensen | E Minor | 9 | 9A | 110 BPM | ||
| On the Edge | Pawel Blaszczak | C Major | 4 | 8B | 180 BPM | ||
| The End of Doom | Andrey Avkhimovich | E Minor | 7 | 9A | 123 BPM | ||
| Escape Array | Valve | A Major | 6 | 11B | 83 BPM |