George Barnes's ' "Lover Come Back to Me" was released on its scheduled release date, August 10, 2014. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Lover Come Back to Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Quiet! Gibson at Work Vol. 2 - 1940/57 - Swing and Country Jazz". In this album, this song's track order is #5. Lover Come Back to Me is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Lover Come Back to Me by George Barnes having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Largest | Avery Freeman | G Major | 4 | 9B | 112 BPM | ||
| Na Voce | Tony Mottola | G Minor | 1 | 6A | 70 BPM | ||
| The Lonesome Road | The Chantays | E Minor | 4 | 9A | 140 BPM | ||
| Back Beat No. 1 | The Rondels | C Major | 9 | 8B | 116 BPM | ||
| Sugar Foot Stomp | Jeremy Wakefield | A Minor | 5 | 8A | 119 BPM | ||
| Air Mail Special | Charlie Christian | F Major | 4 | 7B | 115 BPM | ||
| Bad Penny Blues | Humphrey Lyttelton | F Minor | 3 | 4A | 86 BPM | ||
| What Makes Bob Holler | The Texas Playboys | B♭ Major | 5 | 6B | 166 BPM | ||
| ワイルドウッド・フラワー | ハンク・トンプソン | B♭ Major | 8 | 6B | 145 BPM | ||
| Sunset In Waikiki | Speedy West | E Major | 2 | 12B | 142 BPM | ||
| Galloping On The Guitar - Buddha Remastered - 2000 | Chet Atkins and his Guitar Pickers | D Major | 5 | 10B | 110 BPM | ||
| I'll Be All Smiles Tonight | Shot Jackson, Buddy Emmons | D Major | 4 | 10B | 99 BPM | ||
| Down The Road Apiece | Amos Milburn | G Minor | 6 | 6A | 93 BPM | ||
| Blues In B | Charlie Christian | D♭ Minor | 3 | 12A | 76 BPM | ||
| Rockin' the Weasel (Pop Goes the Weasel) | George Barnes | F Major | 5 | 7B | 103 BPM | ||
| Stratosphere Boogie | Jimmy Bryant | A♭ Minor | 8 | 1A | 136 BPM | ||
| There Ain't No Flies On Me | Hot Lips Page | F Major | 3 | 7B | 135 BPM | ||
| Bistro Waltz | Cavendish Music, Gypsy Swing Revue, Gypsy Jazz Caravan, Gypsy Jaz Mue-Zik | E Minor | 3 | 9A | 109 BPM | ||
| Hurricane | Joe Maphis, Larry Collins | A Major | 9 | 11B | 140 BPM | ||
| I Found a New Baby | Spade Cooley | E♭ Major | 3 | 5B | 103 BPM | ||
| Soft | Tiny Bradshaw & His Orchestra | C Major | 7 | 8B | 83 BPM | ||
| Hulabilly Baby | Kenny Sasaki & The Tiki Boys | D Minor | 1 | 7A | 180 BPM | ||
| advrgr | Jhoudj | A Major | 6 | 11B | 81 BPM | ||
| Columbus Stockade Blues | James Burton, Ralph Mooney | E Major | 7 | 12B | 111 BPM | ||
| The Beak Speaks Copy | Bill Haley & His Comets | F Minor | 8 | 4A | 149 BPM |